“CROOKBACK”, or Fun with Dick & Anne; +Liz; +Isabel etc. Reply

Review by Danny GaisinreviewerDGcolor
Shakespeare’s Richard III is a convoluted yet still fascinating play 6 centuries after his death at Bosworth – the battle that ended the Wars of the Roses and the House of York. The interpretive envelope-push had to be the Dreyfuss reading in ‘The Goodbye Girl”; but Tim Welham’s one-man definition is an incredible thespian piece of artistry. For 1¼ hours, Welham captures not only the physically flawed but morally challenged British King. By amazingly diverse facial expression; body language; voices and stance, the audience meets each of his friends, associates, victims and relatives.

Tim Welham as RICHARD III

Tim Welham as RICHARD III

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Hamilton Philharmonic Orch. – “NEW” & improved Reply

Review by Danny Gaisin

Just over a year ago, the H. P. O. began auditioning for a replacement artistic director/conductor. Like all those companies that market kitchen and laundry detergent, they wanted to announce something ‘New and Improved’. The first candidate was a young woman from down-under and according to this scribe; the evening was “A melodic banquet”. The major selection – a personal Beethoven favorite and the guest conductor was maestra Gemma New.

conductor NEW & editor TERRY

conductor NEW & editor TERRY

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“Michèle Tredger”; in concert Reply

Review by Terry GaisinreviewerETG

Attending a musical concert is usually an opportunity to hear familiar favorites or recognizable nostalgic pieces. Unlike listening to the same works on one’s stereo or CD player; the performing artist should contribute some reminiscence, trivia and background to introduce each piece. But most important is the addition of the entertainer’s individuality that makes an evening special. Michèle Tredger has a personality that almost outshines her full-range soprano voice, and both were on display at her Beth Jacob fundraising event.

Proux, Tredger & Bitton in performance

Proux, Tredger & Bitton in performance

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O.C. O., Grand Prize Winners in concert Reply

Review by Judith CaldwellreviewerJudith
The two winners of the Oakville Chamber Orchestra’s Youth Concerto Competition headlined the final OCO concert of the 2014/2015 season and it was certainly a grand send off to the season.   The winners were Tessa Laengert, soprano, and pianist Marko Pejanovic.  The concert began with the orchestra playing Symphony #5 in B-flat major by Franz Schubert.  Those of us who have seen ‘Amadeus’ are used to the idea of Antonio Salieri as a miserable, jealous man, but he was really quite generous in his praise for his student, Schubert.

OCO president Angelo Gervasio with winners Laengert & Pejanovic

OCO president Angelo Gervasio with winners Laengert & Pejanovic

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“The Kids in the Hall” @ Hamilton’s Great HALL Reply

Review by Danny Gaisin

Way back (1950’s) at High School in Montreal, there were three categories of ‘bad boys’. The worst were those taken to the cloak-room for the strap; next were those sent down to the Principal; and for minor miscreants; exiled from the classroom and told to sit by the door until the bell rang. These were known as ‘The kids in the hall’ and due to my big mouth – I was regularly so banished.
Photo courtesy of
David Hawe

The KIDS"- top:-McDonald;Thompson & McKinney. Front:- McCullough & Foley

The KIDS”- top:-McDonald;Thompson & McKinney.
Front:- McCullough & Foley

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“Béatrice & Bénédict”; the best of enemies! Reply

Review by Danny GaisinreviewerDJG

Toronto’s METRO YOUTH OPERAS refers to the cast/crew; not the audience judging by the plethora of canes and white hairs; including us. Another hint, only one or two of ten grabbed their I-pads as soon as the houselights went on. If we were the under-thirty crowd, that figure would be 98.7%! Schlepped in from the ‘burbs to see ‘Béatrice & Bénédict; Berlioz’ comedic opera based on Shakespeare’s “Much Ado about Nothing”. It was worth the trip!

The "Lovers" - Beatrice & Benedict in a moment of passion

The “Lovers” – Beatrice & Benedict in a moment of passion

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