“You Never Can Tell”…unless it’s by GBS Reply

Review by Terry GaisinreviewerETG
               The SHAW festival has evolved into more than just a showcase of George Bernard Shaw, Today’s audiences still have opportunities to observe the creativity of the renowned eponymous critic/playwright, knowing the result will be immaculately directed; powerfully cast and faultlessly executed. Shaw’s 1897 comedic scrutiny of period mores with its appreciation of evolving female emancipation contains the expected Shaw pithy lines including the waiter’s off-quoted “YOU NEVER CAN TELL”.  Great name for a play about being unable to tell about stuff.      Photo – David Cooper

Seaside dining with the Clandon clan!

Seaside dining with the Clandon clan!

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“SWEET CHARITY”, ♪ some fun, laughs; good times ♫ Reply

Review by Danny Gaisin
Neil Simon’s reiteration of Fellini’s “Nights of Cabiria” was an immediate Broadway hit. Understandable as it has all the ingredients: – memorable music; clever dialogue; comedic moments coupled with pathos and clever lyrics. SHAW’s rendering is gem-like from the opening “You’ve got Mail”-type projected credits and Charity’s belting out of “You should see yourself”. The pace is frenetic; the cast superb and Morris Panych’s direction is faultless. This has to be an O.A.R. Top Ten list contender.  Photo courtesy of SHAW’s David Cooper

SWEET CHARITY's Julie Martell & her subway riding cast

SWEET CHARITY’s Julie Martell & her subway riding cast

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SHAW;’s “Peter & the Starcatcher”; LOL Reply

Review by Danny GaisinreviewerDGcolor
              Have you ever wondered why Peter Pan picked the Darling residence for his nightly visits? Rick Elice’s play based on the Barry/Pearson prequel offers a rational theoretic explanation and Jackie Maxwell visually articulates the historic datum. The SHAW FESTIVAL’s artistic director goes straight for the humorus rather than the cerebrum…and the result is 2½ hours of continual laughter. The Mermaid scene will forever raise the bar for any theatre staging South Pacific’s “Honey Bun” number!     Photo courtesy of David Cooper

the antagonists of "PETER & THE STARCATCHER" in a naval battle

the antagonists of “PETER & THE STARCATCHER” in a naval battle

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“VIVA L’ITALIA” –NAO’s 2nd offering of the season Reply

Review by Judith Caldwell

The second concert in this year’s Brott Music Festival, somewhat confusingly entitled ‘Viva L’Italia’ as there were only two Italian composers on the program and one of those is famous for his gypsy music. However, the other composers did stick to the Italian theme. Rossini’s Overture to An Italian in Algiers was the opener. Conducted by Apprentice Janna Sailor, she made this orchestra of young inexperienced players sound as though they had played together for years. It was a crisp, precise rendition that was full of drama and texture. *

Janna Sailor with NAO 'adoptees' Renaud;Kim; Stuart & Eddy

Janna Sailor with NAO ‘adoptees’ Renaud;Kim; Stuart & Eddy

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It’s TOR-FRINGE-Time again 1

by Danny Gaisin

For the past seven years “ONTARIO ARTS REVIEW” has endeavored to devote as much coverage to Toronto’s amazing FRINGE FESTIVAL as our contributors were physically able to critique. Starting next Wednesday July 1st, visitors will be able to view 150 live offerings at 28 different venues. Our team of Steve Marck; Terry Gaisin; Florence Roullet; Rhoda Regenstreif and yours truly will (hopefully) publish thumbnails (180-190 words) covering 20% of these If you happen to see any of us with our Press accreditation badges; please talk to us – we’d appreciate your input.

the "HEF" and his bunny coterie (HUGH & I; 2014)

the “HEF” and his bunny coterie (HUGH & I; 2014)

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N.A.O. concert: – the ‘Bruckner’ needed some editing Reply

Review by Judith CaldwellreviewerJudith
The 2015 Brott Summer Music Festival opened with a varied program of 20th Century music including a Mozart Violin Concerto and a very rarely-heard Bruckner Symphony played by the director’s NAO ensemble. This is the only professional apprentice/mentor orchestra in Canada and hundreds of gifted graduating musicians audition for the 50+ places each year. The successful candidates have the opportunity to play a huge repertoire in a brief few weeks. It is an intense and unique program.
This evening opened with a 1945 Oskar Morawetz composition, Carnival Overture.

Broverman,Chambul,Sun & Debrowski - some of the 2015 NAO apprentices

Broverman,Chambul,Sun & Debrowski – some of the 2015 NAO apprentices

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