“RITE OF SPRING”, et.al. Reply

Review by Danny Gaisin

The Brott Festival ended the season with Stravinsky’s Весна священная» (Vesna svyashchennaya) or – “RITE OF SPRING”. Four years ago, the same organization scored a top of the year’s “TOP TEN” list with a creative & innovative rendering of the composer’s “Firebird”. Legend has it that while composing same, Stravinsky’s mind evoked images of an ancient Russian fable about the season; dancing maidens & sacrifice…the rite of spring. This year’s entry differed, it was a composite evening.

Lavoie & Vanstone acknowledging their WEBER interpretation

Lavoie & Vanstone acknowledging their WEBER interpretation

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Romeo; Juliet; N.B.of C. dancers; & the NAO Reply

Review by Danny Gaisin

♪ I like to be in America; O.K. by me in America; Everything free in America… for a small fee in America! ♪.

Sondheim’s unsubtle dichotomy about reality facing the ‘Sharks’; Puerto Ricans in 1960’s NYC; packs a punch that equals even the best Hammerstein lyrics. Attending a Brott Festival concert homage-ing musical adaptations of Romeo & Juliet had this scribbler salivating at another opportunity to sub-rosa singing along with Bernstein’s West Side Story. Lamentably, Boris & the NAO played the suite…not the overture. So; no “America”.

Wang and Pereria interpreting SLEEPING BEAUTY

Wang and Pereria interpreting SLEEPING BEAUTY

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Hammer Ent’s “NINE” is a 9+ production 8

Review by Danny GaisinreviewerDGcolor

NINE’s lead character -Guido states that he is “40 physically, but mentally – age 10”; this writer has the same problem …but Doubled! The locale is 1960’s Venice and the plot deals with a roué film producer who brings his wife and his mistresses to a spa while planning a new movie that will rejuvenate his lagging career. Bring stowed luggage and some unbreakable overhead bin stuff; but leave the excess baggage (read –chicks & problems) behind!

Guido 'conducting' his menagerie

Guido ‘conducting’ his menagerie

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SHEN YUN, ‘Divine’, by name & by execution! 1

Review by Terry GaisinreviewerETG
                    “Knee How” or, translated from the Mandarin – hello; and to all our readers, a ‘Happy & healthy year of the horse!’
It’s been six years since we first had the opportunity to witness the incredible talents of China’s minority spiritual discipline. The Falun Dafa’s revival of a 5,000-year old artistic archetype though it’s amazing performance group – SHEN YUN. Impacting back in 2008, Shen Yun 2014 is even more impressive and flawless in execution and audience amazement

SHEN YUN's interpretation of the 'Descent of the Deities'

SHEN YUN’s interpretation of the ‘Descent of the Deities’

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“NUMBERS”, tattooed on arms; like cattle branding 6

Review by Danny Gaisin
Nov.17th.‘13
Disclaimer- this writer is a lousy dancer and like most ‘dog-in-the-manger’ males thus circumvents critiquing dance of any kind. However, I DID witness one Toronto Fringe 2012 entry strictly because of its subject matter. I was astonished at what I saw and stunned by my reaction. The following was what we then wrote: -

“NUMBERS”  @ Factory Theatre
Kokus Productions & director Lukas Press have a definite contender for Best of Fringe in this large dance-oriented emotional story of the Holocaust.

Halina, her parents; Gentile friends and her Nazi adversaries

Halina, her parents; Gentile friends and her Nazi adversaries

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“The Space between Us”, a Terpsichorean treat 1

Review by Tina Gaisinreviewer Tina G
               During the Toronto Jazz Festival, tucked away in the Distillery District on the third floor  of the Dancemakers Centre for Creation was a wonderful evening filled with wine tasting, wonderful food, friendly people,  silent auction.  The show, by Tziporah Productions started  with a lone piano player then a beautiful narrator, light  and dance through space and time using lights, shadows different heights and mediums to make us feel that through a narrator (storyteller) a colourful picture painted about the not only the galaxy but the universe.

Tzipora dance c orps

Tziporah dancers

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