Back in the Nineteenth century there was a popular one-act play about a special day in the lives of some young people. Thornton Wilder pirated the plot for his 1938 ‘Merchant of Yonkers’ tale. Seventeen years later he updated the story as ‘The Matchmaker”. Less than a decade later Merrick turned it into a 2800 performance Broadway musical starring Carol Channing. Since then, “HELLO DOLLY” is almost continually on stage somewhere in America. Now it’s CMT’s turn in the barrel and the result is a ‘gantza megillah’ [big deal!]
After a three-year hiatus, the editorial staff of ONTARIO ARTS REVIEW has decided to conclude its boycott, citing a positive change in the Fringe’s Directors. Every Festival demands only the highest level of professional attitude.
A THOUSAND NATURAL SHOCKS Hamilton Theatre Inc.
NYC- ‘Garner; Ferguson- Brown; LA- Ford; CLEVELAND- Rice; MADISON- Robinson, all recent front-page headlines about Police shootings, even Toronto had one on the TTC. But the follow-ups about what really happened or the effect on the officer usually end up buried in section two – BTF. Writer/producer Bryan Boodhoo and director Luis Arrojo scrutinize and explore the emotional effect on said police officer. More…
Review by Danny Gaisin
Neil Simon’s reiteration of Fellini’s “Nights of Cabiria” was an immediate Broadway hit. Understandable as it has all the ingredients: – memorable music; clever dialogue; comedic moments coupled with pathos and clever lyrics. SHAW’s rendering is gem-like from the opening “You’ve got Mail”-type projected credits and Charity’s belting out of “You should see yourself”. The pace is frenetic; the cast superb and Morris Panych’s direction is faultless. This has to be an O.A.R. Top Ten list contender. Photo courtesy of SHAW’s David Cooper
Review by Danny Gaisin
Have you ever wondered why Peter Pan picked the Darling residence for his nightly visits? Rick Elice’s play based on the Barry/Pearson prequel offers a rational theoretic explanation and Jackie Maxwell visually articulates the historic datum. The SHAW FESTIVAL’s artistic director goes straight for the humorus rather than the cerebrum…and the result is 2½ hours of continual laughter. The Mermaid scene will forever raise the bar for any theatre staging South Pacific’s “Honey Bun” number! Photo courtesy of David Cooper
Editorial by Terry Gaisin
It’s (Almost) summertime. Here are some of the cultural events that we and our readers will appreciate. Book early…book often!
SHAW is always a something-for-everyone event. Jackie Maxwell selects productions that educate; entertain and are continually a challenging stage for her repertory thespians. STRATFORD consistently re-tutors us in the works of Shakespeare as well as other classics. The BROTT NAO series of concerts, gives an opportunity to new graduates to perform alongside experienced professionals. The TORONTO Fringe presents 150 1-hour plays that are un-pre-juried…so anything goes.
Attending a musical concert is usually an opportunity to hear familiar favorites or recognizable nostalgic pieces. Unlike listening to the same works on one’s stereo or CD player; the performing artist should contribute some reminiscence, trivia and background to introduce each piece. But most important is the addition of the entertainer’s individuality that makes an evening special. Michèle Tredger has a personality that almost outshines her full-range soprano voice, and both were on display at her Beth Jacob fundraising event.