The National Academy Orchestra of Canada under the baton of Boris Brott offered a Romantic and Fantastic evening of music to a sold-out audience despite the competition from the opening ceremonies of the Pan Am Games. The evening began with some new music from a young Canadian composer, Jordan Pal, who was in the audience. “‘Burn’ brings to mind the qualities, characteristics and properties of fire: its volatile, destructive and unpredictable nature; and its often overlooked sublime and evanescent states” according to the helpful and descriptive program notes.
Review By Judith Robinson
Some cages are gilded with gold. But no one wants to be trapped for too long, according to playwright, J.M. Barrie, in The Ten Pound Look. Barrie, the author of ‘Peter Pan’, was an apparent champion of women’s rights. It certainly appears so in this 1910 comedic drama that focuses on the hard fought freedom of a wealthy man’s wife. With the price of a portable typewriter (ten pounds), Moya O’Connell, as Kate, has managed to escape from her dictatorial husband, Sir Harry Sims, played by Patrick Galligan. Photo by David Cooper
Review By Judith Robinson
When Pope Joan, powerfully played by Claire Jullien, in Shaw Festival’s production of ‘TOP GIRLS’ tells her tragic tale of being dragged off by the heels and stoned to death, the audience hardly took a breath. It was the most poignant moment in the play. No one moved as Jullien talked about unexpectedly giving birth on horseback during a religious pageant and exposing herself as that unacceptable human form—female. Although the production is filled with passionate, desperate moments, nothing could compare to that alleged heart-wrenching tragedy from the 9th century,
July 12th, 2015 For the past 7 years “ONTARIO ARTS REVIEW” has endeavored to devote as much coverage to Toronto’s amazing FRINGE FESTIVAL as our contributors were physically able to critique. Our team of; Terry Gaisin; Florence Roullet; Rhoda & Avrum Regenstreif; and Danny Gaisin have published twenty-two thumbnail critiques…many of whom made the Viewer’s Choice selections. Next – the upcoming Hamilton Fringe Festival .
“10/10/10 PROJECT”; Factory Theatre
Occasionally the Fringe attracts something that turns out to be creatively unique and this venture created by ten emerging writers to each invent a piece. Ten evolving composers wrote new music and then ten embryonic choreographers fashioned the interpretive dances for each.
Review by Terry Gaisin
The SHAW festival has evolved into more than just a showcase of George Bernard Shaw, Today’s audiences still have opportunities to observe the creativity of the renowned eponymous critic/playwright, knowing the result will be immaculately directed; powerfully cast and faultlessly executed. Shaw’s 1897 comedic scrutiny of period mores with its appreciation of evolving female emancipation contains the expected Shaw pithy lines including the waiter’s off-quoted “YOU NEVER CAN TELL”. Great name for a play about being unable to tell about stuff. Photo – David Cooper
Review by Danny Gaisin
Neil Simon’s reiteration of Fellini’s “Nights of Cabiria” was an immediate Broadway hit. Understandable as it has all the ingredients: – memorable music; clever dialogue; comedic moments coupled with pathos and clever lyrics. SHAW’s rendering is gem-like from the opening “You’ve got Mail”-type projected credits and Charity’s belting out of “You should see yourself”. The pace is frenetic; the cast superb and Morris Panych’s direction is faultless. This has to be an O.A.R. Top Ten list contender. Photo courtesy of SHAW’s David Cooper