A serious political recommendation Reply

Editorial Opinion by Terry Gaisin
The ONTARIO ARTS REVIEW’s mandate is to promote and critique (positively if possible) things cultural. During our nine years of existence, it has been a rarity for us to venture away from this mandate…especially into the realm of politics.
However, there are certain circumstances where we feel it is meet to exercise our position as Canadians; members of our Province and interested parties within our extended community. We live in Hamilton, but as part of the GTHA, what happens within our protracted society becomes important – for us and our readers.

Terry & ANN; celebrating Canada Day in Bronte

Terry & ANN; celebrating Canada Day in Bronte

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“THE GENTLEMAN CLOTHIER”; ‘Lighthouse’ Shines Reply

Review by Danny GaisinreviewerDJG
               Even a supposed maven can occasionally overlook a gem. ‘Methought’ Port Dover was strictly the locale for affordable yellow perch, except for the Friday 13th, biker extravaganzas. Nope, it’s also home to the LIGHTHOUSE THEATRE, a 3½ decade-old professional operation which attracts thespians of the highest echelon and audiences willing to drive distances each way to attend its more than just competent offerings. Norm Foster’s newest comedy, “THE GENTLEMAN CLOTHIER” premiers at the Lighthouse and epitomizes its superlative standards.   Photo courtesy of Adam Veri

Hodgson & Fabiilli annoying Brian Paul

Hodgson & Fabiilli annoying Brian Paul

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Back to School, some safety recommendations 1

by Danny & Terry ‘G’

It’s that time of year when parental regimen changes. Prep shopping is complete lunch menus re-calculated; and the alarm-clock re-set for “Get ‘em up; move ‘em out.”School bus drawingHere are a few hints that just might make a little difference –safety-wise!

  • Plan on having the kids fully prepared for departure; especially if they are being picked up by a School bus . . . 5 minutes ahead of the scheduled time. There’s always something that’s a last minute scramble.
  • Make sure the backpack isn’t heavier or larger than its carrier!
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“GREENBELT HARVEST PICNIC”; a learning event 1

Opinions by D. J. Gaisin & L.A. Lobacita

The picnic has been around for 4 years but somehow flew below our personal radar…definitely our loss. This is one amazing production and even more than the incredible entertainment, it’s an educational opportunity. Advice on ‘green’ choices; awareness of local efforts and craft talent, coupled with some personal guidance, suggestions and education made this an unforgettable experience. Even the early uncooperative weather failed to dampen our or our lawn neighbours’ spirits. Fortunately it was drizzle – not downpour ‘cuz we neglected to bring folding chairs or blankets.

Harvest Picnic-ers, dancing to Los Lobos

Harvest Picnic-ers, dancing to Los Lobos

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“Kiss Me Kate”; ‘just misses the-lips’ 1

Review by Danny Gaisinreviewer_Danny

In 1948, composer Cole Porter re-established himself as Broadway’s biggie with the staging of Kiss Me Kate. His previous success had been “Anything Goes” fifteen year earlier. Unlike the Gershwin’s; Rogers & Hart; Adler & Ross; the Lerner/Lowe duo; Kander & Ebb and especially the Rogers &Hammerstein II collaboration; Porter also wrote his own lyrics … some were doozies. His ironic Kate’ number about ‘brushing up on one’s Shakespeare’ still gleans giggles. Rhyming “flatter her” with ‘Cleopaterer’ or “clothes mussing” with ‘much ado about nussing’ may not quite scan – but who cares!

The 'Paduans' performing "TAMING" in "Baltimo"

The ‘Paduans’ performing “TAMING” in “Baltimo”

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“RITE OF SPRING”, et.al. Reply

Review by Danny Gaisin

The Brott Festival ended the season with Stravinsky’s Весна священная» (Vesna svyashchennaya) or – “RITE OF SPRING”. Four years ago, the same organization scored a top of the year’s “TOP TEN” list with a creative & innovative rendering of the composer’s “Firebird”. Legend has it that while composing same, Stravinsky’s mind evoked images of an ancient Russian fable about the season; dancing maidens & sacrifice…the rite of spring. This year’s entry differed, it was a composite evening.

Lavoie & Vanstone acknowledging their WEBER interpretation

Lavoie & Vanstone acknowledging their WEBER interpretation

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