Mercer-Oh trio; part of 5@1st series Reply

Review by Judith CaldwellreviewerJudith
The Mercer-Oh Trio offered an afternoon of very interesting music in their 5 at The First series on Saturday afternoon. The concert began with Concertino #1 by Julius Klengel played by 11 year old Maya Grittani on cello, accompanied by EJ Kim on piano. Grittani’s playing was technically awesome, she will be a player definitely to be heard when she matures adding emotional colour & depth. Right now her rational approach is appropriate for her age and quite refreshing. She chose a piece difficult enough to show her mastery of the instrument without being overwhelmed.

The trio plus soloist Grittani at forefront

The trio plus soloist Grittani at forefront

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“You say tomato, I say Shut up!” – loving, farting & bickering Reply

Review by Danny GaisinreviewerDJG
Journalism 101: – “Only write about things you know”. American literary celebs Gurwitch & Kahn created a comedic insightful look at their own marriage; its pitfalls, achievements and most of all – differing interpretations. What could be more rational for Galahad Productions’ director Yo Mustafa than to recruit an actual husband/wife pair to portray the protagonists? Pudgy & Michael Quast are an inspired choice to define and depict the Kahn relationship as well as just about every marriage that lasts at least a decade. Our own included!

Annabelle & Jeff (the Quasts) celebrating their 'naugahyde' anniversary [10th]

Annabelle & Jeff (the Quasts) celebrating their ‘naugahyde’ anniversary [10th]

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“LES MIZ”; by Aurora’s Marquee Productions – a standout’ Reply

Review by Danny Gaisin
               To study Hugo’s colossal ‘Les Misérables’ is a titanic undertaking. First tried the original French, but switched to a more portable English translation. Finally, settled on the Digest version but even the Coles Notes™ text was so dramatic, so well written and so dynamic that once started- couldn’t be laid aside. Director Alexander Galant’s rendering of LES MIZ is just as captivating and the audience will be completely ensnared in the plot; its progress, and certainly its message.

"Formez vos bataillons; marchons, marchons" pour la liberte

“Formez vos bataillons; marchons, marchons” pour la liberte

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