“SENZA LUCE”; allegorical musical by Sheridan undergrads. 1

Review by Danny Gaisin
An allegory is a representation of ideas; morals; religion or politics integrated into a poem, story or play. Theatre Sheridan’s “SENZA LUCE”, is a musical adaptation of a newspaper article seen by Neil Bartram and Brian Hill. Directed by the latter, the story reminds one of Gerstäcker’s 1840’s ‘GERMELSHAUSEN’. ‘Senza Luce’ is Italian for ‘without light’ and the plot deals with a town so deep in a valley as to be in total darkness. When a young inhabitant dares climb the mountain, he sees sunlight. Endeavoring to reflect the sun into the town, he disturbs the status quo and thus faces antagonism as well as intense animosity.

the cast of SENZA LUCE

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“SUPERMARKET”; play deserves in-depth analysis Reply

co-review by Sylvie Di Leonardo and Michael Piscitelli
Artscape Youngsplace, frequently a haven for multi-media mavens, is transformed into SUPERMARKET for the final-year studio artists from the University of Scarborough.
“If you think about the nature of a supermarket, it’s a place with an eclectic variety of items placed together, especially now that its all one-stop shopping,” says fourth-year contributor Kristina Zaja. “Then if you think about conceptual art and doing conceptual art at the senior level in a university, we’re all working on our own concepts…and since we’re all creating within the same social/cultural time; but are quite different because of where our inspirations take us, in a sense this is like a supermarket of an art exhibition.”
Creative student playbill for “SUPERMARKET” More…

“How to Succeed in Business without really trying” …WORKS! Reply

Review by Danny Gaisin

Editorial disclaimer: – see end of article!
It is almost a definition of musical or dramatic theatre that there is always a character whose role is pivotal and thus interpretation is paramount to its realization. Nowhere is this tautology more evidential than that of J. Pierrepont (or Pierpont) Finch in the 1961 Burrows/Weinstock/Gilbert book ‘HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING’. This allegorical story about a young man’s corporate rise is a Machiavellian ‘Horatio Alger’. The addition of Frank Loesser’s lyrics and compositions made it a multiple Tony Award™ winner; N.Y. Drama Critics Circle prize; and a Pulitzer.

The WWW staff being advised ” A secretary is NOT a toy”

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“TONS of MONEY”: -Tons of Laughs Reply

Review by: Michael Piscitelli
Community theatre oft-times gets looked down upon because it’s “not professional”; and “volunteers don’t work as hard as paid pros”. This is a stigma that I’ve never liked and often have chastised people for being prejudiced and unusually harsh. I’ve acted in community plays; worked in paid gigs and have seen the same level of professionalism from both sides. The Scarborough Village Theatre associates are welcoming and incredibly hospitable; which I’ve found is something that doesn’t get showcased very often in the professional world to the degree a community theatre does.  Tons of Money was professional, hilarious and a great way to spend an evening.

The cast of “TONS OF MONEY”

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“VIMY” recalled by Bach Elgar & guests Reply

Review by Judith Caldwell
            On Sunday, the Bach Elgar Choir offered a truly monumental concert for the Centennial of the Battle of Vimy Ridge. They were joined by soprano Jennifer Taverner, mezzo Mia Lennox, tenor Owen McCausland, baritone Geoffrey Sirett, plus the Hamilton Philharmonic Orchestra and the Regimental Band of the Royal Hamilton Light Infantry.
The RHLI is one of Canada’s oldest combat regiments, predating Confederation, and they fought in WW I at Ypres, the Somme, Passchendaele and Vimy. Their Regimental Band wears the authentic scarlet uniforms of 1866. They opened the concert with Arthur Bliss’ Fanfare for a Dignified Occasion, a very suitable beginning.

Some HPO musicians & the RHLI band under Rehill’s  baton

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“The course of love (& music) DOES run smooth” for the H.P.O. 1

Review by Danny Gaisin

The Hamilton Philharmonic’s construal of Shakespeare’s ‘Midsummer Night’s Dream’ and Mendelssohn’s exquisitely memorable composition was a perfect blending of aural & visual experience. This effort was truly an O.A.R. “Top Ten” contender. Not only was the orchestra in faultless form, but the Hamilton Children’s Choir was impeccable and the students of Glendale Secondary were enchanting & delicious in their rendering of ‘Hermia & Lysander’; “Demetrius and Helena”; ‘Titania & Oberon’; plus, all the fairies and particularly the Pyramus/Thisbe interpreters. As usual it was the markedly delightful Robin Goodfellow (Puck) who steals the show. He (or she) is the character with whom I most identify!

Children’s Choir; H.P.O.; & Glendale’s fairies interpreting MIDSUMMER NIGHT’S DREAM

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