“Gemma New’s HPO aces Brahms” Reply

Review by Danny Gaisin
Saturday’s Hamilton Philharmonic Orchestra’s opening 2018-’19 season epitomizes the old “A-Team” slogan about a plan coming together. The works performed; the guest soloist and the published list for the rest of the season were, & are – terrific.
The opening work was Beethoven’s Leonore Overture No. 3; (of four). It initiates the opera Fidelio in which the main character uses the title as her pseudonym in order to become a prison guard and thus help her beloved escape. Maestra New’s interpretation had a slow and understated introduction so dramatic as to have me close my eyes to thus enhance the aural drama being experienced.

Crozman & New’s HPO interpreting Elgar’s cello concerto

More…

Advertisements

Hammer Baroque offers THE REZONANCE ENSEMBLE Reply

Review by Danny Gaisin
The REZONANCE (sic) ENSEMBLE are a five-piece chamber quintet whose interest and emphasis is the post-Renaissance period of the 17th century. Among the stars of the era were Telemann, Corelli, Scarlatti, Pergolasi and a certain J.S. Bach.. For their Hammer Baroque concert at Melrose United, they and soloist Vania Chan selected work by Frederick Handel whose compositional lifetime spanned the first half of the eighteenth century.
Soprano Chan opened the afternoon with Morgana’s aria ‘Tornami a vagheggiar’ from Handel’s “Alcina”. Morgana is the sister of the eponymous character and is a desert temptress out to capture Ruggiaro’s heart.

Chan & the ensemble l-r Richards,Onen-Lapointe,Podgorski,Morton & Antal

More…