Review by Terry Gaisin
The late comedian W.C. Fields avowed that actors should never perform with kids or pets. Rationale – being upstaged. WEST’s quartet of males involved with Norm Foster’s “THE FOURSOME” had an opening night audience totally distracted by a spider weaving a large web -stage-right. This non-ACTRA performer, a large anthropoid arachnid happened to be weaving its web against a black backdrop and under a non-white Kleiglight – perfect illumination!
The play, once interest returned, is about a golf game as part of a fifteen year college reunion, and like an onion, the strips are peeled away revealing the duffer; the con artist; reticent member and the sensitive one.
l-r: Reid; Morrison; Rahmani & Wilson at the sixth Tee
Review by Danny Gaisin
The Oakville Chamber Orchestra is starting it’s 35th year; concertmaster Aleksandar Gajic begins his 2nd decade with the ensemble, and maestro Charles Demuynck has held the podium almost forever. Like every forward-thinking musical organization, looking ahead means nurturing the musicians that will follow and the O.C.O. has always made such actions its mandate.
The Queen Elizabeth Park Cultural Centre does suffer from poor acoustics and the Yamaha may be a little tinny but the talents of four young (as in 2 x age14 & 2 x19 year olds) made such problems minuscule.
The afternoon started with J J Bui performing the Mozart Piano concerto no. 12’s allegro (opening) movement.
Sun; Orlenko; Bui & Yuan :- OCO competition winners post-performance
Review by Judith Caldwell
Larisa and Alexei Gulenco presented a demanding program for two pianos, in this case two Steinway’s, in the new L. R. Wilson Concert Hall at McMaster University. The 350 seat Hall is a welcome addition to the Hamilton entertainment scene. The acoustics are excellent delivering a wonderful clarity of sound; plus the size is perfect for concerts and recitals.
The Gulenkos are a husband and wife team who each have impressive credentials. Alexei received his original musical training in Russia where he won the Rachmaninoff competition, then the Jose Iturbi competition in Spain and the Liszt in Italy.
the Gulenco’s – post concert
Review by Ellen S. Jaffe
Djanet Sears’ powerful “rhapsodic blues tragedy, “ Harlem Duet, is onstage at the Tarragon again, 21 years after its world premiere there. The play received Dora, Chalmers and Governor-General’s Awards, and was the first script by a black Canadian produced at Stratford Festival (2006); it has also been produced in New York.
I did not see earlier productions, but seeing it now, I find the play relevant for today and (like Shakespeare and Greek tragedy) for all times. The playwright asks the question, “Who would Shakespeare’s character Othello be if he were alive today…in my world?” As in the blues, the play has a musical, linear and non-linear quality. Photo by Cylla von Tiedemann
Stephens-Thompson & Borden in HARLEM DUET