Review by Judith Robinson May 12, ‘19
Since the 1970’s, Canadian playwright George F. Walker’s plays have had audience members squirming in their seats as pimps, prostitutes, criminals and drug addicts took center stage. In recent years, the master craftsman turned his spotlight on to the Middle Class. His 2010 drama, And So It Goes, currently playing at the Pia Bouman Scotia Bank Theatre in Toronto, not only gives a voice to the voiceless, it exposes what it’s like for those who had a voice to lose it. Latin teacher, Gwen, powerfully enacted by Deborah Drakeford, and her husband investment adviser, Ned, played by Dan Willmott, had a pretty cushy life,
Drakeford * McCulloch on stage
Review by Danny & Terry Gaisin, May. 12th, ‘19
Gustav Mahler’s 5th symphony is big, glorious; affecting; and serious. Thus, it needs a class ‘A’ orchestra and conductor to properly perform it. The Hamilton Philharmonic and maestra Gemma New certainly accomplished the work’s requirements.
This season’s final concert opened with Claude Vivier’s ORION. First time hearing this piece and quite probably, my last. The seven motifs supposedly represent the stars that make up the constellation – the hunter and his two doggies. Like the myth; Vivier; a flamboyant gay, was murdered in Paris by a young male prostitute just as Orion was condemned for insulting the gods.
Gemma New & Diana Weir, informing the HPO audience about tonight’s special event