Bienvenue to a visiting young French Choir Reply

Review by Judith Caldwell

 

Maitrise des Hauts de France, Young Singers of Lampersart, is a French boys choir who began their 2019 North American concert tour on July 12th at Burlington’s oldest church, St Luke’s Anglican, and will end their tour- after many stops in the United States – at St. Thomas the Apostle Catholic Church, the newest church in Waterdown on July 28th.  They are a group of about 40 singers in every regular register (soprano, alto, tenor and bass) who all come from the town of Lamersart, near Lille in northern France.  The choir was founded in 1970, performing regularly in Europe including at St. Peter’s Basilica in Rome and for Queen Elizabeth.                                                      The Choir = on stage

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“ROPE” dark & foreboding plus “The RUSSIAN PLAY” Reply

Reviews by Terry Gaisin

Patrick Hamilton’s drama “ROPE” either refers to ‘”Give em’ enough rope…etc” or perhaps to the fact that Leopold & Loeb both held on to ends of the cord used to throttle Bobby Franks in the so-called ‘crime of the Century’ thrill murder; the true-life case on which Hamilton’s plot is based. Like the infamous L & L, his protagonists (antagonists?) are highly intelligent; considered themselves Nietzschean ‘Ubermenschen’ (supermen) and thus sociologically non-responsible, and too bright to ever be caught.
Director
Jani Lauzon utilizes stage lighting as a dramatic vehicle actually have an opening scene in almost total darkness. So, both mood and plot are sinister.   Photo courtesy of Emily Cooper (Shaw)

Therriault facing off against Seetoo & Wong in “ROPE”

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“Brigadoon” an old favourite, renewed & improved Reply

Review by Danny Gaisin
July. 9th,’19

First off; let’s deal with the elephant in the room. This scribe has read Gerstacker’s Germelhausen and it’s the antithesis of Lerner & Lowe’s terrific musical – BRIGADOON! One is a depressing tale of a curse; negativism and a depressing ending; the other is about hopes and miracles! I’ve seen Brigadoon numerous since 1957’s road company performances and loved every version. From the exciting opening number to the quotable last line (“ye must love her very much…Ye WOKE ME UP” and then the line about anything being possible if one believes in miracles). This scribe actually applauds WHEN Peter Pan needs support to revive Tinker Bell. Imagine how I respond to such an affirmative ending! Yup –teary-eyed.  Photo courtesy of ShawFest

Matt Nethersole telling his townsfolk about his feelings for ‘Bonnie Jean’

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