In “YAGA,” Slavic Legend meets 21st century Reply

Review by Ellen S. Jaffe

Yaga, written and directed by Canadian playwright Kat Sandler, brings the old Slavic story of Baba Yaga to new, modern life in a combination of fairy-tale, comedy, mystery, and a commentary on gender and aging. The play opens the Tarragon’s 2019-220 season. With impeccable, often brilliant acting by the well-known Seana McKenna and by Claire Armstrong and Will Greenblatt, the play is fast-paced and funny as well as thought-provoking.  For those who do not know the legend, Baba Yaga is a Slavic version of the mythic witch — seen as old, ugly, cruel (rumoured to eat children).                                                                                                                         Seanna McKenna In YAGA
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O.C.O. honors ‘friends’ L.V. Beethoven & company Reply

Review by Danny Gaisin

It behooves a classical music writer to have a sliding scale of criticism; the big (size & $$$) outfits should be held to a higher standard than community organizations. Hearing the Oakville Chamber Orchestra’s three dozen musicians and their director, Charles Demuynck, in performance, they deserve as sharp a pencil point as any group…they’re that good! Unfortunately, last evening’s concert was held in St. Simon’s Anglican Church and acoustically; the closest simile I can recall is hearing a band play inside a Quonset Hut construction shed!
The opening work was Beethoven’s ‘Coriolan’ overture. The tale behind the work is about the semi-legendary Roman ‘Coriolanus’.

Soprano Charlene Pauls interpreting “Zerlina” From Don Giovanni

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