“HPO’s Halloween ‘Spooktacular’ afternoon concert Reply

Review by Danny GaisinThe musicians and concertmaster were in costume; the dancers of Freedom Studio – costumed; the audience – totally dressed up. And yours truly was fully attired for ‘Trick of Treating’. The somewhat abbreviated afternoon performance was aimed at a definitely younger audience, hence the selections and duration. Our seatmates were a 4-year old Alice and her slightly older brother. Observing their attentiveness and physical participation spoke well for the endeavour as well as the future of classical interest. Their mimicking of the conductor and fascination with the on-stage dancers defined total engrossment. The concert focal point was conclusively the conductor.

The HPO musicians awaiting Bartholomew-Poyser (aka Grim Reaper)

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“Crystal” – a Cirque du Soleil tour du force Reply

Review by Danny Gaisin

Canada is recognized internationally for inventing basketball; the ‘Canadarm’; snowmobiles; beating the U.S. In the War of 1812; and then punishing them further by exporting Shatner & Celine! We Canucks can also take pride in the World famous Cirque du Soleil – a worldwide phenomenon. Last night, a special media presentation of this iconic ensemble’s latest show highlighted something dear to us Leaf & Hab fans – ice & hockey, but with a plot & super effects.
Disclaimer: – like many of my press counterparts, an overabundance of visual events can jade one’s taste, and I admit to studiously avoiding figure skating competitions – live or on TV.

‘Crystal’ at school

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“Critiquing (unbiasly); one’s own ‘kiddlies’ in performance” Reply

Review by Danny Gaisin
            Every experienced critical columnist will admit that writing about kids is anathematic. Even being objective is rife with danger. An unbiased review in keeping with the writer’s credibility reports on flaws; the editor can expect poisoned-pen letters saying “The kid was amazing… even the obvious flaws were cute…and besides, his or her parents were divorcing or separating or the child wasn’t feeling well! So, like all my counterparts, when a request for a child-oriented column is offered, the closet; bathroom; under the desk or a storage area is immediately sought out. Unless it includes one’s own grandkids or great-grandkids.

One of the younger classes interpreting ” “He’s So Fine”

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a BIG (& important) thing for “little people” Reply

Review by Danny Gaisin
This past weekend, WEST END STUDIO THEATRE co-opted Christine & Lisa Brkich’s TWO SISTERS DANCE PROJECT to present a seasonally oriented short recital geared towards the three to 10-year old category. Both WEST and our ARTS REVIEW fervently believe that instilling an appreciation for live performances can never begin too early. We brought our own ‘kiddlies’ (ages 6 & 5) for their first exposure to the genre. To say they were fascinated and enthralled would be understatement. They sat mesmerized!

The "LEGWARMERS" percussion team!

The “LEGWARMERS” percussion team!

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Cacophony in the Dollhouse Reply

Review by Michael PiscitellireviewerMichael P2
Doing your research for a play is crucial when performing.  Doing your research for seeing a piece of theatre; not so much. But I’ve been known to be wrong before.  Going in to a show blind can be either a blessing or a curse. On the one hand, you could end up experiencing a fantastic plot, with dynamic visual designs and action. Or you could end up witnessing something that may leave you confused and unsure of why you came in the first place. Or worse, wanting your money back.

An interpretive moment in "Dollhouse"

An interpretive moment in “Dollhouse”

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“Salute to Vienna”; you’ll exit humming 2

Review by Danny GaisinreviewerDGcolor

Vienna has been known as the ‘City of Music’ forever. When Attila & Marion Glatz decided to publicize their hometown; what could be more applicable than a musical pastiche of the city’s heritage. “Salute to Vienna” is just that, except a subtitle might well be Salute to a cultural legacy! Feeling a little adroit… how about trying to name about a dozen famous classical composers and musicians who were either native or residents of this old Austrian capitol. (See end of article). *

Conductor Schulz and some dancer s& singers of "SALUTE to VIENNA"

Conductor Schulz and some dancer s& singers of “SALUTE to VIENNA”

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