“The Importance of Being Earnest” by Theatre Erindale 1

Review by Terry Gaisin
How fitting that Oscar Wilde’s final satirical farce would be selected by Patrick Young as his final directorial effort with UTM’s Theatre Erindale. Our Arts Review has critiqued about 70 continual Erindale presentations since 2003 and have had the opportunity to witness a dozen productions under Young’s thespian management. All of them were noteworthy and thought provoking. No doubt, this is because the man has the innate capacity to discover the essence and motivation behind each playwright’s rationale. He is a consummate examiner; researcher, and thus his results always succeed.   Photo by Jim Smagata; UTM

Himes; Bennet; Pottinger; Nguyen; Thorne; Wamsley & McDonald

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“The Book of Mormon” a hoot from start to curtain. Reply

Review by Danny GaisinreviewerDJG
Admission of guilt; this scribe is a longtime fan of Eric, Kyle, Stan & Kenny (the ‘South Park’ kids), so naturally I’m an admirer of their creators -Trey Parker & Matt Stone. Along with Robert Lopez, this talented duo created the musical BOOK OF MORMON, and just like in that fictional Colorado locale, nothing is sacred and everything is grist for their destructive pens. Fortunately, the same humour that afflicted the denizens of South Park is subjected to an atheistic assault on the followers of Joseph Smith & Brigham Young. For what I know of Mormonism, read this column to its end.

Connor Peirson (Elder Cunningham) coverting the Ugandans

Connor Peirson (Elder Cunningham) converting the Ugandans

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“RUMORS”; farce and the three “B” s 1

Review by Danny GaisinreviewerDGcolor
“Farce: Fr. n. Exaggerated comedy based on broadly humorous highly unlikely situations”. Webster’s New World Dictionary. Neil (no relation to Paul) Simon’s only attempt to create in this genre demonstrates his comprehension limits of the first word of the definition. The author of such megahits as ‘Brighton Beach Memoirs’; The Odd Couple; “Promises, Promises”; and The Goodbye Girl plus myriad others somehow overdid his attempt with 1988’s RUMORS. Perhaps if he had read Feydeau’s late 19c. “Hotel Peccadillo”; he might have toned down his effort, resulting in something more aptly titled “Speculations” or “Allegations”.

The players involved in "RUMORS"

The players comedically involved in “RUMORS”

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“Catch Me If You Can”; a musical about larceny & youth Reply

Review by Danny Gaisin
Ages ago, while flying back from Italy, the airline was showing the Spielberg movie with Di Caprio & Hanks about the actual larcenous antics of Frank Abagnale Jr. Unfortunately, a tailwind brought us to YYZ about 15 minutes early and so I never found out how the story ended…until now. Meadowvale Music Theatre is presenting the musical version of ‘CATCH ME IF YOU CAN’ and the plot remains (almost) true to the actual saga. By age 19, the young man had conned the system for about 2 million dollars. Talk about youthful enterprise!

the cast of "CATCH ME IF YOU CAN"

                    The cast of “CATCH ME IF YOU CAN”

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“FOOTLOOSE”, Sheridan’s showcase vehicle Reply

Review by Danny GaisinreviewerDGcolor

“Where the Hell is Bomont?” is the opening bit of dialogue, and truth be known; it’s actually @ 34°- 57’ N & 97°-23’W. The place is really Elmore City, OK where in 1898 a local bylaw was passed outlawing dancing and only rescinded in 1986. Multi-talented Dean Pitchford took the story and turned it into both a movie and stage play, gleaning both an Oscar™ and Golden Globe™. Sheridan’s David Connolly has taken this ‘period piece’ (re: Joel Cumber -asst. director) and utilized it as a showcase vehicle for the faculty’s undergrads’ abilities. Acting, singing and dance are all role requisites. The entire cast has all three…in spades.

Students Willard & Ren addressing the Bomont Town Council

Students Willard & Ren addressing the Bomont Town Council

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A ‘Convenient’ guide to Korean culture Reply

Review by Judith RobinsonreviewerJudith Robinson
Ins Choi’s Kim’s Convenience is a stunning masterpiece – a speeding train that never stops until Soulpepper’s production of this one act, full length comedy concludes ninety minutes later. The conductor, who keeps the train moving, is Paul Sun-Hyung Lee, who has played the role of convenience store owner, Appa, in every production since the play’s origins at the fringe festival, in Toronto, in 2011. He has now given over 400 performances in 10 Canadian cities – and starred in the successful spin off last fall, on CBC TV. The show has already been renewed for next season. Photo courtesy of Cylla von Tiedemann

Choi; Lee; Yoon; Kung & Sills, of KIM'S CONVENIENCE

     Choi; Lee; Yoon; Kung & Sills, of KIM’S CONVENIENCE

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