“O.C.O’s competition winners in concert” Reply

Review by Danny Gaisin
The Oakville Chamber Orchestra is starting it’s 35th year; concertmaster Aleksandar Gajic begins his 2nd decade with the ensemble, and maestro Charles Demuynck has held the podium almost forever. Like every forward-thinking musical organization, looking ahead means nurturing the musicians that will follow and the O.C.O. has always made such actions its mandate.
The Queen Elizabeth Park Cultural Centre does suffer from poor acoustics and the Yamaha may be a little tinny but the talents of four young (
as in 2 x age14 & 2 x19 year olds) made such problems minuscule.
The afternoon started with
J J Bui performing the Mozart Piano concerto no. 12’s allegro (opening) movement.

Sun; Orlenko; Bui & Yuan :- OCO competition winners post-performance

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The Gulencos & an evening of classical music at Mac Reply

Review by Judith Caldwell

Larisa and Alexei Gulenco presented a demanding program for two pianos, in this case two Steinway’s, in the new L. R. Wilson Concert Hall at McMaster University.  The 350 seat Hall is a welcome addition to the Hamilton entertainment scene.  The acoustics are excellent delivering a wonderful clarity of sound; plus the size is perfect for concerts and recitals.
The Gulenkos are a husband and wife team who each have impressive credentials.  Alexei received his original musical training in Russia where he won the Rachmaninoff competition, then the Jose Iturbi competition in Spain and the Liszt in Italy.

the Gulenco’s – post concert

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“Gemma New’s HPO aces Brahms” Reply

Review by Danny Gaisin
Saturday’s Hamilton Philharmonic Orchestra’s opening 2018-’19 season epitomizes the old “A-Team” slogan about a plan coming together. The works performed; the guest soloist and the published list for the rest of the season were, & are – terrific.
The opening work was Beethoven’s Leonore Overture No. 3; (of four). It initiates the opera Fidelio in which the main character uses the title as her pseudonym in order to become a prison guard and thus help her beloved escape. Maestra New’s interpretation had a slow and understated introduction so dramatic as to have me close my eyes to thus enhance the aural drama being experienced.

Crozman & New’s HPO interpreting Elgar’s cello concerto

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Hammer Baroque offers THE REZONANCE ENSEMBLE Reply

Review by Danny Gaisin
The REZONANCE (sic) ENSEMBLE are a five-piece chamber quintet whose interest and emphasis is the post-Renaissance period of the 17th century. Among the stars of the era were Telemann, Corelli, Scarlatti, Pergolasi and a certain J.S. Bach.. For their Hammer Baroque concert at Melrose United, they and soloist Vania Chan selected work by Frederick Handel whose compositional lifetime spanned the first half of the eighteenth century.
Soprano Chan opened the afternoon with Morgana’s aria ‘Tornami a vagheggiar’ from Handel’s “Alcina”. Morgana is the sister of the eponymous character and is a desert temptress out to capture Ruggiaro’s heart.

Chan & the ensemble l-r Richards,Onen-Lapointe,Podgorski,Morton & Antal

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Hamilton’s Festival of Friends; No. 42 Reply

Review by Danny Gaisin
We Gaisins have been Hamiltonian for a decade, but studiously avoided attending our city’s annual ‘Festival of Friends’; having erroneously thinking it was a Quaker religious retreat!. Nope, no affiliation with the 17th century Anglican offshoot started by George Fox. Instead, its an opportunity for neighbours to meet outdoors and have free access to music, creative arts, food, drink, and political candidate or organizational affiliation booths. One group of regulars even mentioned that back in their dating dates, it was a super ‘pick-up’ opportunity!
For us, this was an occasion to get out the tandem and bicycle over…something we old farts are usually looking for excuses NOT to utilize.

Sunday in the park…in Hamilton!

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‘Folly in Love’; Hammer Baroque’s Art Week contribution Reply

Review by Judith Caldwell

As part of Hamilton Arts Week, Hammer Baroque presented an in-concert version of Alessandro Scarlatti’s opera “Folly in Love”, Alessandro is now less famous than his son Domenico, but back in the day he was celebrated as a major composer of opera in the period before Handel and Gluck.  His ‘Gli equivoci nel sembiante’ was composed in 1679 when he was only 18 years old,  it is a pastoral comedy of love and yearning, a mischievous and jealous sibling and a long lost brother who looks just like our hero.

The HAMMER BAROQUE ensemble musicians

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