“FOOTLOOSE”, Sheridan’s showcase vehicle Reply

Review by Danny GaisinreviewerDGcolor

“Where the Hell is Bomont?” is the opening bit of dialogue, and truth be known; it’s actually @ 34°- 57’ N & 97°-23’W. The place is really Elmore City, OK where in 1898 a local bylaw was passed outlawing dancing and only rescinded in 1986. Multi-talented Dean Pitchford took the story and turned it into both a movie and stage play, gleaning both an Oscar™ and Golden Globe™. Sheridan’s David Connolly has taken this ‘period piece’ (re: Joel Cumber -asst. director) and utilized it as a showcase vehicle for the faculty’s undergrads’ abilities. Acting, singing and dance are all role requisites. The entire cast has all three…in spades.

Students Willard & Ren addressing the Bomont Town Council

Students Willard & Ren addressing the Bomont Town Council

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“The Little Mermaid”; ‘positoovilly’ a gem! Reply

Review by Danny GaisinreviewerDGcolor

“♫ Darling, it’s better, down where its wetter; take it from me -Under the Sea “. Words to live by, if you happen to possess gills and fins. Or, if you are a cast member of THEATRE UNLIMITED’s amazingly particularized and perfectly executed adaptation of Disney’s interpretation of the Hans Christian Andersen fairy tale. This is one BIG effort that is so professionally implemented as to belie the axiom that community theatres are intrinsically second rate. This undertaking is (as ‘Scuttle’ claims) ‘positoovilly’ a gem of musical entertainment.

The (mostly) undersea world of THE LITTLE MERMAID

The (mostly) undersea world of THE LITTLE MERMAID

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O.A.R.’s “THE TOP TEN” (plus plus), 2016 Reply

Editorial & Administrative opinions
There have been previous years where due to tie-votes, our ARTS REVIEW’s TOP TEN list has, in actuality contained 12 or even 14 items. This year has seen such a plethora of worthy efforts of entertainment that the final selection process was daunting. So, for the first time, O.A.R.  will also specify an ‘Honourable Mention’ (sort of Silver or Bronze medal) category.

THEATRE UNLIMITED, This successful Miss ‘a community group undertook staging the musical version of Monty Python’s SPAMALOT. The droll puns and one-liners still abound but with the addition of musical numbers, it’s even enhanced. As we wrote in our review “– an awesome giggle from start to finish and we loved it!”

the candidates for work as part of A CHORUS LINE

the candidates for work as part of Stratford’s “A CHORUS LINE”

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a BIG (& important) thing for “little people” Reply

Review by Danny Gaisin
This past weekend, WEST END STUDIO THEATRE co-opted Christine & Lisa Brkich’s TWO SISTERS DANCE PROJECT to present a seasonally oriented short recital geared towards the three to 10-year old category. Both WEST and our ARTS REVIEW fervently believe that instilling an appreciation for live performances can never begin too early. We brought our own ‘kiddlies’ (ages 6 & 5) for their first exposure to the genre. To say they were fascinated and enthralled would be understatement. They sat mesmerized!

The "LEGWARMERS" percussion team!

The “LEGWARMERS” percussion team!

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Cacophony in the Dollhouse Reply

Review by Michael PiscitellireviewerMichael P2
Doing your research for a play is crucial when performing.  Doing your research for seeing a piece of theatre; not so much. But I’ve been known to be wrong before.  Going in to a show blind can be either a blessing or a curse. On the one hand, you could end up experiencing a fantastic plot, with dynamic visual designs and action. Or you could end up witnessing something that may leave you confused and unsure of why you came in the first place. Or worse, wanting your money back.

An interpretive moment in "Dollhouse"

An interpretive moment in “Dollhouse”

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STEPPING OUT; “5 – 6 – 7 – 8” (& the 3 “T” s) Reply

Review by Danny GaisinreviewerDJG
Someone searching for a recipe delineating the ingredients needed for a play about learning to dance, the Google® listings would probably list ‘Billy Elliot’; “A Chorus Line” and perhaps ‘The Full Monty” for icing. Richard Harris’ 1984 creation tells, or hints at the rationales behind a diverse group of lower class ladies & one male enrolling in a church basement tap-dance class. The motivations seem more social than terpsichorean.
Under the direction of Alex Bodnar, the ten cast members construe the stimulus or incentives behind their characters as well as portray in interactions that develop between the attendees.

The cast finally & successfully STEPPING OUT

The cast finally (& successfully) STEPPING OUT

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