“Critiquing (unbiasly); one’s own ‘kiddlies’ in performance” Reply

Review by Danny Gaisin
            Every experienced critical columnist will admit that writing about kids is anathematic. Even being objective is rife with danger. An unbiased review in keeping with the writer’s credibility reports on flaws; the editor can expect poisoned-pen letters saying “The kid was amazing… even the obvious flaws were cute…and besides, his or her parents were divorcing or separating or the child wasn’t feeling well! So, like all my counterparts, when a request for a child-oriented column is offered, the closet; bathroom; under the desk or a storage area is immediately sought out. Unless it includes one’s own grandkids or great-grandkids.

One of the younger classes interpreting ” “He’s So Fine”

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“How to Succeed in Business without really trying” …WORKS! Reply

Review by Danny Gaisin

Editorial disclaimer: – see end of article!
It is almost a definition of musical or dramatic theatre that there is always a character whose role is pivotal and thus interpretation is paramount to its realization. Nowhere is this tautology more evidential than that of J. Pierrepont (or Pierpont) Finch in the 1961 Burrows/Weinstock/Gilbert book ‘HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING’. This allegorical story about a young man’s corporate rise is a Machiavellian ‘Horatio Alger’. The addition of Frank Loesser’s lyrics and compositions made it a multiple Tony Award™ winner; N.Y. Drama Critics Circle prize; and a Pulitzer.

The WWW staff being advised ” A secretary is NOT a toy”

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“The course of love (& music) DOES run smooth” for the H.P.O. 1

Review by Danny Gaisin

The Hamilton Philharmonic’s construal of Shakespeare’s ‘Midsummer Night’s Dream’ and Mendelssohn’s exquisitely memorable composition was a perfect blending of aural & visual experience. This effort was truly an O.A.R. “Top Ten” contender. Not only was the orchestra in faultless form, but the Hamilton Children’s Choir was impeccable and the students of Glendale Secondary were enchanting & delicious in their rendering of ‘Hermia & Lysander’; “Demetrius and Helena”; ‘Titania & Oberon’; plus, all the fairies and particularly the Pyramus/Thisbe interpreters. As usual it was the markedly delightful Robin Goodfellow (Puck) who steals the show. He (or she) is the character with whom I most identify!

Children’s Choir; H.P.O.; & Glendale’s fairies interpreting MIDSUMMER NIGHT’S DREAM

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OKLAHOMA; it’s “O.K.” to have fun at the theatre Reply

Review by Danny Gaisin
Some interesting facts about the ‘Sooner’ State. Oklahoma was the first territory to hold a land Rush in 1889. It received Statehood in 1907 and was the first State to utilize parking meters (1935) and the first one to erect a ‘Yield’ sign in 1950. The motivation for mentioning Oklahoma’s myriad originals is because “OKLAHOMA” was the first collaboration of Rogers and Hammerstein in1943; heralding the golden age of Broadway musicals. Take Riggs’ book ‘Green Grow the Lilacs’; add in superb music and amazing lyrics and no wonder the result is still a sellout 74 years later!

          The farmers & cowboys of pre-statehood “OKLAHOMA”

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“The Book of Mormon” a hoot from start to curtain. Reply

Review by Danny GaisinreviewerDJG
Admission of guilt; this scribe is a longtime fan of Eric, Kyle, Stan & Kenny (the ‘South Park’ kids), so naturally I’m an admirer of their creators -Trey Parker & Matt Stone. Along with Robert Lopez, this talented duo created the musical BOOK OF MORMON, and just like in that fictional Colorado locale, nothing is sacred and everything is grist for their destructive pens. Fortunately, the same humour that afflicted the denizens of South Park is subjected to an atheistic assault on the followers of Joseph Smith & Brigham Young. For what I know of Mormonism, read this column to its end.

Connor Peirson (Elder Cunningham) coverting the Ugandans

Connor Peirson (Elder Cunningham) converting the Ugandans

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“FOOTLOOSE”, Sheridan’s showcase vehicle Reply

Review by Danny GaisinreviewerDGcolor

“Where the Hell is Bomont?” is the opening bit of dialogue, and truth be known; it’s actually @ 34°- 57’ N & 97°-23’W. The place is really Elmore City, OK where in 1898 a local bylaw was passed outlawing dancing and only rescinded in 1986. Multi-talented Dean Pitchford took the story and turned it into both a movie and stage play, gleaning both an Oscar™ and Golden Globe™. Sheridan’s David Connolly has taken this ‘period piece’ (re: Joel Cumber -asst. director) and utilized it as a showcase vehicle for the faculty’s undergrads’ abilities. Acting, singing and dance are all role requisites. The entire cast has all three…in spades.

Students Willard & Ren addressing the Bomont Town Council

Students Willard & Ren addressing the Bomont Town Council

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