Review by Ellen S. Jaffe
Kiviuq Returns: An Inuit Epic, created by the Qaggiq Collective (a non-profit society dedicated to
strengthening Inuit performing arts in Nunavut) and currently playing at the Tarragon, is a wonderful, unique
theatrical experience – performed entirely in the Inuktitut language. If you are interested in theatre, or in Inuit
culture, or simply want to enjoy some unusual entertainment, you should not miss this production!
“I don’t know Inuktitut,” you say. “How can I enjoy it?”
Surprisingly (or maybe not) the play is very accessible. There is a detailed scene by scene guide in English in
the program, also available on line so you can read it before attending.
cast scene – “KIVIUQ
Review by Danny Gaisin
We watched the 2002 movie version of the Kander & Ebb musical for one reason only, it was shot in Toronto using the Distillery District, City Hall; Casa Loma ; Osgoode & Canada Life among others. As for the Gere/Zellweger/Zeta-Jones performances, we thought that they were not only two-dimentional, but it wasn’t just the singing that was dubbed – so was their portrayals. Last night we saw Theatre Ancaster’s version and had decided , even by intermission that this is a surefire O.A.R. ‘Top Ten for this year!
Everything about ‘Chicago’ is first rate…the direction; the stage method; the cutaways; costuming and especially the faultless chorus numbers that are an intrinsic part of the show.
Lapsley prepping Pike for her day in court, while chorus & Press folks look on
Review by Ellen S. Jaffe
In reviewing a play about historical events, we can ask: 1) what is the play’s relationship to historical events: how ‘accurate” is it? (2) what is its point of view? (3) how well does it work as a play onstage? I put “accurate” in quotes because “history” changes depending on who is writing it, and also in the face of changing information . These questions come to mind after seeing The Story of Ethel and Julius Rosenberg, produced by Teatron Jewish Theatre and playing at the Toronto Centre for the Arts. I recommend this play as an opportunity to see the human side of a historical and political situation * The events took place in 1950-53 during the fear-laden atmosphere of the Cold War, with the investigation of suspected Communists by the House Un-American Activities Committee and Senator Joseph McCarthy. The episode still has repercussions today.
Actual booking photos of the Rosenbergs
Review by Terry Gaisin
Vicky Baum’s 1929 book that utilizes the vehicle of a luxurious Weimar hotel to outline some interacting plots, attracted Robert Wright, George Forrest & Luther Davis to reprise the success of their ‘KISMET’ and retell Baum’s story as a musical. The result is a fascinating piece of theatre that demands acting; singing and terpsichore talents from every cast-member. SHAW’s Eda Holmes direction emphasizes the play’s visual impact but does not sacrifice the intricacies of the various plot lines. She subtly leads her audience to subconsciously anticipate the reversal of status-quo that will befall the world in the next decade. Photo courtesy of David Cooper
Daly & Therriault celebrating a windfall at the GRAND HOTEL
EDITORIAL UPDATE (7/12): A serious situation occurred very late Monday night that caused us to completely curtail attending, and even miss entry closings at some of our chosen Fringe offerings. To GEEK; Kabarrett; Andy Warhol; ‘2018 -a Sex Odyssey; & “Tee Shirt”. Our sincerest apologies. Perhaps some of the above are planning on re-staging their efforts at the Hamilton Fringe. If so, let us know!
The FESTIVAL is over; so this is our recap! The Hamilton/Toronto train rides are onerous; schlepping around downtown Toronto -tiring; taking our notes and then publishing same means 14-16-hour days. However, the efforts & thespian results make it all more than worthwhile…its a privilege! HINT: – Watch for a major change in our ARTS REVIEW’s Top Ten in December.
High School Symphony -cast
Review by Marion Davis
Leave your inhibitions at home! You will not be disappointed. This is an excellent performance accomplished by the Stratford Festival. I did not see an empty seat in the house and all ages from 12 & up seemed to be there. It was surprising how little audience participation there was as compared to productions from the late 70’s and from the movie theatres; however, what participation there was, added to the overall show without drowning it out, and made this presentation what has become so popular in Stratford, namely “The Rocky Horror Picture Show”. *
An iconic promo ad from 2016’s major R.H.P.S. tour