“Grand Hotel- the musical”; smoke & mirrors Reply

Review by Terry Gaisin
Vicky Baum’s 1929 book that utilizes the vehicle of a luxurious Weimar hotel to outline some interacting plots, attracted Robert Wright, George Forrest & Luther Davis to reprise the success of their ‘KISMET’ and retell Baum’s story as a musical. The result is a fascinating piece of theatre that demands acting; singing and terpsichore talents from every cast-member. SHAW’s Eda Holmes direction emphasizes the play’s visual impact but does not sacrifice the intricacies of the various plot lines. She subtly leads her audience to subconsciously anticipate the reversal of status-quo that will befall the world in the next decade.   Photo courtesy of David Cooper

Daly & Therriault celebrating a windfall at the GRAND HOTEL

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Hamilton’s Festival of Friends; No. 42 Reply

Review by Danny Gaisin
We Gaisins have been Hamiltonian for a decade, but studiously avoided attending our city’s annual ‘Festival of Friends’; having erroneously thinking it was a Quaker religious retreat!. Nope, no affiliation with the 17th century Anglican offshoot started by George Fox. Instead, its an opportunity for neighbours to meet outdoors and have free access to music, creative arts, food, drink, and political candidate or organizational affiliation booths. One group of regulars even mentioned that back in their dating dates, it was a super ‘pick-up’ opportunity!
For us, this was an occasion to get out the tandem and bicycle over…something we old farts are usually looking for excuses NOT to utilize.

Sunday in the park…in Hamilton!

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“ROCKY HORROR PICTURE SHOW” visits the Wild Side Reply

Review by Marion Davis

Leave your inhibitions at home! You will not be disappointed. This is an excellent performance accomplished by the Stratford Festival. I did not see an empty seat in the house and all ages from 12 & up seemed to be there. It was surprising how little audience participation there was as compared to productions from the late 70’s and from the movie theatres; however, what participation there was, added to the overall show without drowning it out, and made this presentation what has become so popular in Stratford, namely “The Rocky Horror Picture Show”. *

An iconic promo ad from 2016’s major R.H.P.S. tour

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“THE MUSIC MAN”; Stratford & Feore ace Meredith Wilson Reply

Review by Danny Gaisin

Classical musician, arranger and composer Meredith Wilson’s iconic Broadway musical THE MUSIC MAN may take place in 1902 small-town Iowa; but conning, stings; greed & ‘Peter Principle’ politics are just as current and eternal as love. The play has all of these ingredients and director/choreographer Donna Feore makes this iteration her own. The choreography, immaculate direction and even the subtle little touches are not only effective, but seem contemporary.
Director Feore; ‘Prof. Harold Hill’; and a certain youngster named
Alexander Elliot are a powerhouse trio that own the production, but it is Feore’s input and focus that are a major contribution.

Daren A. Herbert & his River City adorables

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“Crystal” – a Cirque du Soleil tour du force Reply

Review by Danny Gaisin

Canada is recognized internationally for inventing basketball; the ‘Canadarm’; snowmobiles; beating the U.S. In the War of 1812; and then punishing them further by exporting Shatner & Celine! We Canucks can also take pride in the World famous Cirque du Soleil – a worldwide phenomenon. Last night, a special media presentation of this iconic ensemble’s latest show highlighted something dear to us Leaf & Hab fans – ice & hockey, but with a plot & super effects.
Disclaimer: – like many of my press counterparts, an overabundance of visual events can jade one’s taste, and I admit to studiously avoiding figure skating competitions – live or on TV.

‘Crystal’ at school

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“GIRLS LIKE THAT” could be you, or your daughter Reply

Review by Ellen S. Jaffe

 

 

Evan Placey’s play Girls Like That, now at the Tarragon’s Mainspace, is a play of paradoxes – and a powerful, captivating theatrical experience. It is a feminist play written by a man, and rings true both psychologically and socially. It depicts adolescent girls who live by their cell-phones and social media, yet it appeals both to teenagers and to older women — and men. I attended a matinee where most of the audience were high school and university students who said that the play reflected their lives. There were, however, a number of audience members older than the “social media generation,” who said they, too, identified with the characters and action.      Photo courtesy of Cylla von Tiedemann                                                                   The ensemble of “GIRLS LIKE THAT” More…