Me and my Girl” a great SHAW date opportunity Reply

Review by Danny  & Terry Gaisin
                        Noel Gay’s “ME AND MY GIRL” may be dated and certainly not the most (With some exceptions) musically memorable. But given its creative re-writing; imaginative directing and extremely talented cast- this is sure-fire entertainment. The SHAW Festival’s rendering, given the somewhat popular premise, has made a unique take on the story seem almost contemporary.  Granted, British snobbery and rigid caste systems are supposedly passé; wealth and prestige still resonates with us unwashed masses. The concept of a lower class individual wanting or having to elevate levels is nothing new. G.B.S. incorporated it in his Pygmalion, and NATURALLY the original Pygmalion utilizes the idea.

Photo by David Cooper

 Therriault & Frank dancing ‘formally’, rather than “Lambeth Walking”

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“HMS Pinafore” – all the ‘♫Whys & Wherefores ♫’ 1

Review by Danny & Terry Gaisin

The first time we saw Gilbert & Sullivan’s 1881 operetta ‘HMS PINAFORE’, it was presented by a community theatre group that considered the lyrics remedial for folks with some speech challenges, and certainly singing was more fun than reciting tongue-twisters! The play has a strong but subtle message and denigrates ingrained British snobbism and oligarchic political attainment (think today’s White House). Stratford’s Lezlie Wade meticulously underscores the play’s comedic bent with impacting visual images; a creative and functional set, plus acute physical activity. Her choreographic utilization of the set’s two curved staircases will remind older individuals of the Busby Berkeley routines from the late fifties.

Admiral Laurie Murdoch chastising Captain Steve Ross before the crew & all those sisters/cousins/aunts!

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“♫GUYS & DOLLS ♪” an almost perfect Stratford musical Reply

Review by Danny Gaisin

Frank Loesser’s interpretation of a couple of Damon Runyon short stories has become a Broadway standard. Every song of the show’s twenty is not only memorable but sing-able even out of context. Under Donna Feore’s direction & her choreography; “♫ it’s better than even money ” that folks will remember it fondly for years to come…we certainly will and I’ve lost count of the times we’ve seen it.
The two plots deal first with a hustler, his illegal crap game, and his long-suffering showgirl fiancée. The other story is about a gambler and a Salvation Army-type naif. The support characters are just that –  Characters!
All  our published Stratford photos by Cylla von Tiedemann

Steve Ross ‘nicely-nicely’ exhorting the gamblers to “sit down, SIT DOWN, they’re rocking the Boat”

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“Androcles”- Some Aesop, a lot of GBS, & SHAW’s version. 1

Review by Danny Gaisin

Theatre attendance for a critic is supposed to be work, i.e. a chore, an obligation and a duty. Watching SHAW’s director Tim Carroll put his own slant on the 1600-year-old fable is such fun that the concept of being ‘work’ never enters the equation. From the pre-opening intercourse between audience and performers this is eponymous farce and except for two moments of serious didactic dialogue, sniggers chortles & full giggles are the Courthouse Theatre atmosphere. The action takes place on the thrust stage, but commentary; opinion and interaction are all solicited from the spectators. The action actually goes right up into the aisles.

Jeff Irving restraining Michael Therriault while Patrick Galligan and the others watch

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“SISTER ACT”; could be ‘habit forming! Reply

Review by Ellen S. Jaffe
Sister Act
, the current presentation of Hamilton Theatre Inc., is among the increasing number of Broadway musical comedies based on an earlier movie.  The original 1992 movie starred Whoopi Goldberg. The musical play, with music by Alan Menkin, lyrics by Glenn Slater, and book by Cheri and Bill Steinkeller, premiered in Pasadena in 2006, opened in London’s West End in 2009, and on Broadway in 2011. HTI’s production, celebrating its 60th season of producing music comedy in Hamilton, performs the minor miracle of successfully mounting this large-scale musical on the small stage of HTI’s theatrical home on McNab St. North.

A shot from the original ‘Sister Act’; WITHOUT the hammy Whoopi

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“SENZA LUCE”; allegorical musical by Sheridan undergrads. 1

Review by Danny Gaisin
An allegory is a representation of ideas; morals; religion or politics integrated into a poem, story or play. Theatre Sheridan’s “SENZA LUCE”, is a musical adaptation of a newspaper article seen by Neil Bartram and Brian Hill. Directed by the latter, the story reminds one of Gerstäcker’s 1840’s ‘GERMELSHAUSEN’. ‘Senza Luce’ is Italian for ‘without light’ and the plot deals with a town so deep in a valley as to be in total darkness. When a young inhabitant dares climb the mountain, he sees sunlight. Endeavoring to reflect the sun into the town, he disturbs the status quo and thus faces antagonism as well as intense animosity.

the cast of SENZA LUCE

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