“Kiss Me Kate”; Sheridan aces this Cole Porter standard Reply

Review by Danny Gaisin
A year or so ago, while critiquing a Stratford presentation directed & choreographed by Donna Feore; we created our own descriptive adjective. The term we came up with was “Dancical “and it is the perfect qualifier to exposit our opinion of Theatre Sheridan’s take on the Cole Porter blockbuster – “KISS ME KATE“. Direction is faultless; costumes are impeccably detailed; the entire cast meet every professional standard. Lastly, choreography is superlative, creatively and performance.
This concept of a musical version of a Shakespeare play is not unique; ‘Two Gentlemen of Verona”;
The Boys From Syracuse and of course ‘West Side Story’ are all familiar.

Cast, crew, musicians & production team of “KISS ME KATE”

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Drury Lane’s “Music Hall”; ver. 38.1 Reply

Review by Terry Gaisin
Wikipedia defines the term ‘Music Hall’ as a British format circa 1850 that paralleled the American Vaudeville genus. The UK.’s vaudeville sector was lower class and thus more in keeping with the burlesque shows on this side of the pond. The style(s) remained popular for a century. Why the history lesson? Just to introduce the oddity that is Drury Lane Theatre Productions who can continually fill a house for just short of four decades!
Directed & choreographed by Caroline Clarke & Shelley Rennick, audiences are the recipients of the requisite telegraphed one-liners; skits; chorus numbers and are essential participants in commentary and sing-alongs.

                                                                    A difficult photo-op situation, on stage

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“Joe Ben-Jacob & his designer outerwear”, Reply

Review by Terry & Danny Gaisin
The first collaboration of Rice & Webber – “JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT” started out as a 20-minute exercise in 1968. It also established their new formula & protocols for a Broadway-type musical. i.e. Compose 1 or 2 big hit numbers; mostly pedestrian melodies; & reprises of the former –ad infinitum (think ‘Phantom’ & ‘Evita’ etc.)
J&TATD‘ is an almost completely-sung comic-ish operetta with only the narrator/teacher utilizing dialogue. The play opens with a Sunday School teacher & her students studying the 1st book of the old Testament. Abraham begat Isaac; who begat Esau & Jacob…

Curtis, Cautillo, and the Canaanites/Egyptians of “JOSEPH & the Amazing Technicolor Dreamcoat”

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“TRAP DOOR” a new opera; especially for today Reply

Review by Danny Gaisin
Doing what we do, i.e. critiquing over a hundred concerts and theatre events every year; becoming jaded is par for the course. Then something comes along that knocks us for a loop. Sheridan’s Theatre Arts Faculty is staging a new play by Morris Panych, with music & lyrics by Anika and Britta Johnson. This Michael Rubinoff production that takes place in 1919 is as real and contemporary as this week’s news. The plot deals with a burlesque operation; gangsters; women treated as chattels; a mystery and except for moments of comic relief- operatic tragedy. The twenty-one arias pack visceral messages and impact.
Editor’s Note: At the request of the producer; no cast photos were taken of this play

Our intrepid critic & TRAP DOOR’s creative team!

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“Into the Woods”; think about what you wish for! Reply

Review by Danny Gaisin
Given my own biases, I’m ambivalent about critiquing any play by Sondheim. He may have an iconic status, but this scrivener finds him notoriously repetitious and thus – boring. However, one cannot deny that he undertakes subjective challenges and doesn’t balk at taboos. “INTO The WOODS” has, and is – both.
With the 5-week teachers strike from October 15th until mid-November;
Sheridan’s Theatre Arts Faculty started rehearsals under self-managed production & direction. The result is both professional and polished… four years of tutelage has certainly paid off.
The plots consolidate familiar fairy tales and is divided into two distinct acts. The first is the requisite story lines and interaction. 

the cast of thespians out of,  & “INTO THE WOODS”

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‘BAT OUT of HELL’; a fast start to 2018 Reply

Review by Tina Gaisin

With the weather hitting “highs” of -22 degrees Celsius there was not much to do in Toronto for New Years Eve outdoors. We decided to warm it up and go to Jim Steinman( Associate producer ‘Meatloaf’)’s “Bat Out of Hell”. Growing up with Meatloaf, it was not surprising all the songs had people singing, tapping their feet, dancing and even had a neighbour in the row crying! (What a wuss!) The story line sounds familiar the haves and have nots, with Romeo Juliet and Peter Pan thrown in! The dancing was very modern; well worth the show with singing and a moral to be learned throughout the show.

The iconic image of both the play & “Meatloaf”

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