Cinema Serenade”; Perlman & the TSO 1

Review by Sylvie Di LeonardoReviewerSylvie2               

As I buttoned my coat and struggled to get into my boots, my little brother asked me why I was headed to hear Cinema Serenade with Itzhak Perlman and the TSO this evening at Roy Thompson Hall. “Are they playing along with the movies?” No.  “Is it a shadow cast?” No. “Why would you want to go hear the songs, then?” He had a point. Why spend my day off on the highway at rush hour? “It’s like watching reruns,” he says. I consider this, and again—he had a point. But, I like watching reruns.   Photo by Jag Gundu – T.S.O.

Perlman, Oundjian & the T.S.O.

Perlman, Oundjian & the T.S.O.

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HPO’s tribute to the ‘Swing’ era…my times Reply

Review by Danny GaisinreviewerDJG
Do the names ‘Dorsey; Goodman; Miller; Ellington; Shaw and Basie’ ring some reminiscent bells? If they do, you’re probably mature enough to remember the “Big Band Era” or SWING! As yours truly sits down to write this, my set of drum sticks ‘stolen’ from Gene Krupa, and some ancient pop-music trumpet sheets ‘borrowed’ from Eldridge are sitting on the desk, probably peering phantom-like over my shoulder. Incorporating 2/4 & 4/4 time; oversized orchestras and celebrity conductors; attending a ball or dance where any of these were performing was pure ‘crème de las crème apex society.

Vanhwvel (aka ol' Blueeyes) belting "Night & Day"

Vanhevel (aka ol’ Blue eyes) belting out “Night & Day”

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Tafelmusik’s “Eloquent Cello”; a welcome respite Reply

Review by Sylvie Di LeonardoReviewerSylvie2               

 

During heavy rush-hour city traffic, suffering through radio’s continual commercials, it is so easy to become overwhelmed. Luckily, I found the one place sure to comfort the souls of those who struggle to interpret this mass of voices. Tafelmusik’s Thanksgiving weekend program The Eloquent Cello included challenging pieces executed with the finesse required to ensure that all voices are not simply heard, but are made meaningful by the support they lend and receive.
Like many of Tafelmusik’s faithful patrons, I hustled down the newly-named Bloor Street Cultural Corridor to Trinity St Paul’s Jeanne Lamon Hall seeking a means to restore a sense of wonder through music.

guest soloist Christolphe Coin

Tafelmusik’s guest soloist Christophe Coin

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H.P.O. aces an evening of Spanish compositions Reply

Review by Terry Gaisinrevieweretg

After 56 years, writing about classical music, the genre intrinsically belongs as the domain of O.A.R.’s Danny Gaisin. However, a definitive & very positive bias towards the Hamilton Philharmonic’s program of Spanish music would certainly affect objectivity. Thus, yours truly gets the by-line!
From the opening collage of “Carmen” excerpts; Bizet’s most famous opera and one of D.G.’s favorites, maestra New presented the prelude with its adverse theme; truly demonstrating that the orchestra is now hers…and vice-versa. The familiar ‘Habanera’ with its advice about daring to love a vamp, and the passionate ‘Seguidilla’, the amazing mezzo voice of Lauren Segal even extended her range to the contralto realm.

Segal & McFadden performing the Marquez 'Danzon#3' with the HPO

Newman & McFadden performing the Marquez ‘Danzon#3’ with the HPO

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K-W Symphony previews its 71st Season Reply

Review by Sylvie Di LeonardoReviewerSylvie2          

 

The Kitchener-Waterloo Symphony previewed its seventy-first season at the Centre in the Square. The evening’s program featured thirteen selections from the upcoming season, and introduced the symphony’s many newcomers to their outreach and education initiatives. Patrons new to the symphony will find a lot to love this season. The audience welcomed pieces from this year’s Yuletide Spectacular and the Skating’s Greatest Hits series, which will host three-time Olympian and Canadian skating icon Kurt Browning this weekend. Patrons can expect a lively program, featuring pieces from Phantom of the Opera, Swan Lake, Casablanca, and Carmen along with original footage of the award-winning routines. *

the Kitchener-Waterloo orchestra in a preview performance

the Kitchener-Waterloo orchestra in a preview performance

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Hamilton Philharmonic; ‘NEW’ and improved! 1

Review by Danny GaisinreviewerDGcolor
The first visual change that newly appointed HPO conductor has made was in the orchestral layout. About eight years ago, debate within the concert community took place over the concept of having the violins situated to the left of the podium, or a return to the pre-20th century notion favored by Tchaikovsky; Mahler and even Beethoven; that the first and second sections should be at opposing sides; the OSM’s Nagano; London’s Haitink and Levine of the Boston Symphony prefer splitting: – Detroit’s Slatkin takes an opposing opinion. Maestra Gemma New also has repositioned the celli and violas plus moving the basses next to percussion.

Goodyear interpreting Brahms with the HPO

Goodyear interpreting Brahms with the HPO

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