“Brigadoon” an old favourite, renewed & improved Reply

Review by Danny Gaisin
July. 9th,’19

First off; let’s deal with the elephant in the room. This scribe has read Gerstacker’s Germelhausen and it’s the antithesis of Lerner & Lowe’s terrific musical – BRIGADOON! One is a depressing tale of a curse; negativism and a depressing ending; the other is about hopes and miracles! I’ve seen Brigadoon numerous since 1957’s road company performances and loved every version. From the exciting opening number to the quotable last line (“ye must love her very much…Ye WOKE ME UP” and then the line about anything being possible if one believes in miracles). This scribe actually applauds WHEN Peter Pan needs support to revive Tinker Bell. Imagine how I respond to such an affirmative ending! Yup –teary-eyed.  Photo courtesy of ShawFest

Matt Nethersole telling his townsfolk about his feelings for ‘Bonnie Jean’

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Hammer Baroque showcases a quintet to interpret Vivaldi Reply

Review by Judith Caldwell
Dominic Teresi is principal bassoon of Tafelmusik and teaches at The Juilliard School.  Stefano Demicheli is a composer,. In keeping with Hammer Baroque traditions, five extraordinary musicians offered a concert titled Soprattutto Vivaldi on Saturday afternoon.   Oboeist Marco Cera, trained in Italy and was lured over to Toronto by Tafelmusik.  He is also a member of the Artic fusion band, Ensemble Polaris.  Alison Melville performs on historic flutes and recorders. She is also a member of Ensemble Polaris, who has performed a lot of music for film & TV soundtracks.  Violinist Cristina Zacharias, is a core member of Tafelmusik and appears annually at the Carmel Bach Festival.

The performers of Hammer Baroque’s VIVALDI

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Mahler’s 5th, big composition needs a big orchestra Reply

Review by Danny & Terry Gaisin,  May. 12th, ‘19

Gustav Mahler’s 5th symphony is big, glorious; affecting; and serious. Thus, it needs a class ‘A’ orchestra and conductor to properly perform it. The Hamilton Philharmonic and maestra Gemma New certainly accomplished the work’s requirements.
This season’s final concert opened with Claude Vivier’s ORION. First time hearing this piece and quite probably, my last. The seven motifs supposedly represent the stars that make up the constellation – the hunter and his two doggies. Like the myth; Vivier; a flamboyant gay, was murdered in Paris by a young male prostitute just as Orion was condemned for insulting the gods.

Gemma New & Diana Weir, informing the HPO audience about tonight’s special event

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“Ravel & Stravinsky; + Bartok, Prokofiev, & ballet” Reply

Review by Danny Gaisin, Apr. 28, ‘19

Under the vision of maestra Gemma New , executive director Diana Weir and the HPO Board, the Hamilton Philharmonic Orchestra has evolved into something far more eclectic and audience attractive than we saw under previous administrations. This is obvious from the increase of ‘sold out’ concert situations and also from the noticeable atmosphere emanating from the musicians themselves. Last evening’s event under guest conductor Nathan Brock featured the HPO’s concertmaster Stephen Sitarski performing the violin concerto No. 2 by Sergei Prokofiev. This piece is far less known than the composer’s ‘Peter & the Wolf’ or his opera ‘Alexander Nevsky.

Sitarski under guest HPO conductor Nathan Brocki

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“The Brandenburgs”, an O.A.R.’s Top ten contender Reply

Review by Danny Gaisin
Mar 24th, ‘19

J.S. Bach’s Brandenburg Concerti were composed during the second decade of the eighteenth century, but were only so-named in 1870. An intrinsic part of every dedicated collector of classical music’s library, these works are the epitome of the Baroque era. They also have such range as to stating a personal favorite. A lively topic for debate and discussion among aficionados.
To celebrate its thirty-fifth year anniversary, the Oakville Chamber Orchestra spared no effort or venue choice to present all six with guest soloists who were picked from orchestral principals with absolutely stunning resumés.

OCO & solists performing Branderrburg No. 1’s allegro movement

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Holst; the HPO, and an astrology lesson Reply

Review by Danny Gaisin  Mar. 17th, ’19

My Very Easy Method, Just SUN”, this mnemonic is one of the ways of remembering the names and positions of the planets … the things in the night sky that don’t twinkle! Just over one hundred years ago, Gustav Holst composed a suite that reflected the astrological characteristics of the planets and the mythological gods they are named after. This work was the major opus undertaken by last night’s Hamilton Philharmonic Orchestra concert in the Great Hall.
The pre-intermission part of the program was devoted to Claude Debussy. Opening with his ‘Prelude to an Afternoon of a Faun’.

The HPO & McMaster Choir performing Debussy Nocturne

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