HAMMER BAROQUE satirizes English travelers Reply

Review by Judith CaldwellreviewerJudith
         Hammer Baroque presented a short delightful concert to wrap up their current season called The Paradise of Travelers. The 17th century title obviously refers to a time period well before the modern cramped economy class seats which take the paradise out of travelling.
The program consisted of madrigals, motets and canzonettas and included readings of the recollections of English travelers through Italy. Apparently the English were the most obnoxious travelers of their time – thoroughly convinced of the superiority of all things English and the quaintness of all other cultures.

Dietrich; Modolo; Roach & Roth -the Hammer Baroque quartet

Dietrich; Modolo; Roach & Roth 

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Whose symphony is it anyway?” (@ the T.S.O.) Reply

Review by Sylvie Di Leonardo  ReviewerSylvie2

The Toronto Symphony Orchestra and the Second City’s resident improv ensemble reunited at Roy Thompson Hall for the second performance of ‘The Second City Guide to the Symphony’, hosted by Second City alumnus/ improviser Colin Mochrie. This show features original music by the Second City’s own Matthew Reid, who joins the TSO on-stage for a “glorious ninety minutes when life doesn’t suck,” among similarly themed full-chorus and solo numbers. These ninety minutes provide high-quality accessible music and comedy, enjoyable by/for both TSO and SC devotees, as well as any “Symphony Virgins” who may be “Fiddling Around,” as the scenes suggest.
Brownen Sharp’s photo of ‘Chief Inspector’ Mochrie with the 2nd City & T.S.O.TSO & 2nd City concert
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T.S.O.’s ‘Eroica’ celebrates liberty, equality, fraternity Reply

Review by Sylvie Di Leonardo ReviewerSylvie2

Beethoven’s Symphony No. 3 in E-flat Major, Op. 55, the “Eroica,” heralded Romantic composition: It was written at the beginning of the French revolution, and underwent some changes in dedication between its writing, publication, and performance for reasons of politics, but more so, of integrity. Surely these sentiments are relevant to a contemporary audience.  Solid from beginning to end, the Toronto Symphony Orchestra’s performance was championed by the funeral march. The woodwinds shone during the return; the clarity in their execution of the theme gave a glimpse of the celebration of life inherent in the march.   Photo courtesy of JOSH CLAVIR

Bronfman performing with the Toronto Symphony

      Yefim Bronfman performing the concerto No. 3 with the Toronto Symphony

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Young artists shine at Oakville’s OCO concert 1

Review by Judith CaldwellreviewerJudith
    The Oakville Chamber Orchestra presented an evening of extraordinary music making for its final concert of the 2015/2016. The Concerto Competition Grand Prize winners presented two wonderful concertos – Catherine Ma performing Beethoven’s Piano Concerto #4 and Tiffany Yeung, playing Mendelssohn’s Violin Concerto in E Minor. The evening began with a pleasant rendition of Mozart’s Overture to the Marriage of Figaro played by the Oakville Chamber Orchestra. This extremely well-known piece of music begins a rather subversive opera, on the theme of the untrustworthiness of the nobility, and the resourcefulness of servants.

Ma & Yeung post-concert

            Ma & Yeung post-concert

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T.O.’s MENDELSSOHN CHOIR spectacular in Haydn’s “CREATION” Reply

Review by David RichardsReviewerDave-R
Last night, the near capacity audience at Koerner Hall stepped out of the reality of today’s world of global waste and desecration to celebrate the wonders of life on this planet. The Creation, an opera-like oratorio by Franz Josef Haydn, was written at a time when the Genesis story was unquestioned. Nevertheless, in 2016, it inspired the audience to consider the “six day” evolution from the chaos of nothingness to our glorious world minus the industrial pollution, human tragedies, and global warfare.       Photo courtesy of Frank Nagy

Choir & orchestra performing "CREATION"

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5 @ the First – Sunny Music for a Spring Afternoon Reply

Review by Judith CaldwellreviewerJudith
       String Extravaganza V was the penultimate concert in the 5 @ the First series – featuring Yehonatan Berick & Csaba Koczo on violin, Caitlin Boyle & Theresa Rudolph on the viola, and cellists Rachel Desoer & Rachel Mercer. Livia Coburn, a Bachelor of Music student at the University of Toronto currently studying under Shauna Rolston, opened with the prelude and gigue from Bach’s Suite #3 in C major on the cello. She is a very accomplished cellist and played the Bach with technical ability and understanding.

guest soloist Livia Coburn, post-concert

Guest soloist Livia Coburn; post-concert

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