O.C.O. concert; something’s old & something new 1

Review by Terry GaisinreviewerETG
                I truly believe it was Wolfgang Sebastian Holmes; the late 17th century renovations expert, who coined the cliché -“If it ain’t baroque…don’t fix it!” Compositions created by Purcell, Albinoni, Vivaldi and Pergolesi, are representative of the musical period that encompassed excessive ‘bling’ and complexity.  The Oakville Chamber Orchestra, celebrating 30 years, has not remodelled selections by Scarlatti; J.S. Bach; and Rameau but rather just put a new Handel on the genre.

Lau pre-concert rehearsing

Lau pre-concert rehearsing

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A novice’s take on the H.P.O. Reply

Review by Florence Roullet
reviewer FlorenceLife is full of surprises. A special encounter transformed me into an Art Critic for an evening. I accepted the challenge with enthusiasm and herewith—my impressions as a neophyte. Saturday evening I had the great pleasure to attend the Hamilton Philharmonic Orchestra “For the Love of the Screen” a ‘Pops’ edition at Hamilton Place, directed by guest conductor David Martin. Accompanied by Trevor Copp, director of the Tottering Biped Theater in Burlington; I spent an enchanting evening

conductor David Martin

conductor David Martin

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‘MUSIKAY’, and Vivaldi’s Gloria Reply

Review by Judith CaldwellreviewerJudith

On Saturday at St. John’s United Church in Oakville the newly named MUSIKAY, (previously the Oakville Ensemble), presented an evening of baroque music culminating in Vivaldi’s ‘Gloria’.  The concert began with a Sonata for trumpet in D major composed by Giuseppe Torelli in 1690.  The soloist was Jonas Feldman who told us he is a military band conductor.  For a conductor he plays a mean trumpet and was a joy to hear in this festive 17th century work.

the MUSIKAY ensemble

Musikay

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M.S.O., new & exciting! Reply

by Terry GaisinreviewerETG
                As for arrangements; “He has his own ideas but always pays homage to the composer”. The quotation was from my seatmate who had worked with Denis Mastromonac- the new music director of the MSO. Hearing the musicians perform Glinka’s Ruslan/Ludmilla overture with exuberance, vibrancy and an added musicological dimension; this is one classy assemblage. Mastromonaco comes to Mississauga with an astounding C.V. and his manner with the music, the audience, and his musicians themselves; is one of respect and co-operation- not dictatorial. No Von Karajan or Muti, thank-you!

Tryon & the M.S.O.

Tryon & the M.S.O.

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H.P.O. – trumped by an ‘ACE’ Reply

by Danny GaisinreviewerDGcolor
                Season 2013-’14 of the Hamilton Philharmonic reflected a procedural change that went against classical tradition. A neat idea – having the major work offered before the interval and the guest soloist on-stage after break was innovative and also proved to be serendipitous. The audience departed with memories of Jon Kimura Parker’s Rachmaninoff; rather than Sommerville’s HPO reading of the Brahms 3rd Symphony!

Parker performing Rachmaninoff with the HPO

Parker performing Rachmaninoff with the HPO

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Two periods; two diverse works- “5@1st Reply

by Danny GaisinreviewerDGcolor
               The name “5 at the First” is a clever acknowledgement of its usual numerical complement and its performance location at the Unitarian church on Dundurn. Last evening, it was Six @ the 1st. and they were an impressive half-dozen. Violinists Yehonatan Berick & Csaba Koczo; Caitlin Boyle and Theresa Rudolph –violists and the Rachel’sDesoer & Mercer – celli; made quite a team. Performing Mozart & Schoenberg offered two ends of a musical spectrum.

Koczo, Berick, Desoer, Mercer,Boyle & Rudolph

Koczo, Berick, Desoer, Mercer,Boyle & Rudolph

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