“Ehnes & the H.P.O.; an heroic St. Paddy’s evening”, Reply

Review by Danny Gaisin
I coulda been a contender‘ says Brando in “On the Waterfront”. My mother wanted me to be a doctor or a lawyer, but Daddy, as part owner of a Montreal newspaper never opposed my interest in journalism. Maybe the MD or LL.B would have made me more financially stable, but given the opportunities afforded the so-called ‘Fourth Estate’ such as critiquing  a concert last evening, I wouldn’t change professions for even half of Gates’s wallet!
The Hamilton Philharmonic under artistic director
Gemma New is an amazing conglomeration. Audiences can almost physically sense the affection and respect between musicians and the podium. 

Violinist Ehnes & Conductor New – the Allegro movement of ‘The EROICA’

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O.C.O.; a concert regretfully missed Reply

by Danny & Terry Gaisin
Mar. 4, ’18
Last evening the Oakville Chamber Orchestra presented an evening of vocal and instrumental classics. Works by Tchaikovsky and Schumann were to be highlighted. No doubt, conductor Charles Demuynck would have prefaced the former’s ‘Serenade for Strings’ by explaining the sonatina format, and undoubtedly would have advised the audience to watch for the reiterations within the work. Hopefully, he would have spoken about the unusual term larghetto elegiaco. Assuredly, the guest soloist’s violin played by Tiffany Leung was faultless.

Bernie Altschuller

        Fifty-five years ago, I was introduced to a close friend of my fiancee’s -Elaine Langer, who was going to be one of Terry’s bridesmaids.  Unlike some of my future wife’s family; Elaine took me as an immediate friend. When she and Bernie Altschuller married four years later; a gracious (and hospitable) foursome developed that has lasted for almost six decades. More…

“Haydn; an HPO week & a culminating concert, Reply

Review by Danny Gaisin

It occasionally surprises me as to the way things connect. My original interest in Joseph Haydn wasn’t his compositional talent…it was his connection to the Esterhazy family and especially Ferdinand Esterhazy who was the actual traitor for whose crimes Alfred Dreyfus was sent to Devil’s Island. Zola’s “J’Accuse”was collegiate compulsory reading. That the man had written 14 masses; 5 operas; 22 arias; 125 symphonies; 30 concerti & 77 string quartets; 40 piano trios ; 66 wind & string pieces etc. obviously tweaked my curiosity. Quite an output for six decades! Socially, the man married the sister of his lover and lived unhappily ever after.

The bassoon soloist Eric Hall performing with the HPO

 

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Windermere String Quartet –part of the Hammer Series Reply

Review by Judith Caldwell

As part of the Hammer Baroque series of concerts the Windermere String Quartet played three string quartets by teenaged composers. The concert was called ‘Young Blood’ and featured Mozart, Arriaga and Schubert. The players of the Windermere String Quartet, Elizabeth Loewen Andrews & Michelle Odorico, violins, Anthony Rapoport, viola and cellist Laura Jones, were seated in the centre of the room with the near capacity audience circled around them. This gave the concert an air of being in a large living room, which is how these works would have been originally heard.
Mozart was 17 when he wrote a String Quartet in B flat (K172).

The members of Windermere Quartet, performing

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“Cirque de la Philharmonique ét la O.P.H.”, Reply

Review by Danny Gaisin

Editor’s note: -”O.P.H.” or bilingually ‘orchestre philharmonique d’Hamilton’
The Hamilton Philharmonic offered two guests in what was an amazing evening and a stupendously entertaining one. On the podium was Kitchener’s Daniel Bartholomew-Poyser , with the renowned Cirque de la Symphonie performing on stage. The HPO was in top form; the conductor was in perfect synch with the musicians; (& vice versa). The ½ dozen Cirque members astounded; diverted & astonished the audience. Guilty admission: – this scribe uttered way too many ‘Oy vey‘s’ at what appeared to be certain-death ministrations.
The program was dedicated to the compositions created for, or used, by Hollywood.

Cirque de la Symphonie & maestro Daniel Bartholomew-Poyser -post concert

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“Messiah”, Bach Elgar’s 2017 version Reply

Review by Judith Caldwell
Messiah is an event that defines the Christmas season. The Bach Elgar Choir has been singing for 113 years and have offered the oratorio through most of those years including 2017. Guest conductor Howard Dyck, with soloists Agnes Zsigovics, soprano, mezzo Allyson McHardy, Colin Ainsworth, tenor, and bassist Sean Watson, the choir, and a 19-piece orchestra presented the full version of Messiah on Saturday night and a shorter sing-along version on Sunday afternoon at Melrose United Church. The church has good acoustics but the pews are quite uncomfortable for a long concert. though it was written as an Easter Oratorio, it tells of the birth, life, death and resurrection of Jesus Christ.

Bach Elgar interpreting Handel’s MESSIAH

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