“DOGFIGHT”; a visceral picture of war Reply

Review by Terry GaisinreviewerETG
Six years ago, an off-Broadway musical about the Viet Nam War went mainstream. SHERIDAN’s theatre arts faculty brings all the pathos, transformations, and forced maturity that the war effected. The play is emphasized by song and dance; thus, the dialogue is transitory but exacting and severe. The phrase ‘DOGFIGHT’ usually refers to an aerial battle between fighter planes, but is occasionally used as the male counterpart to a struggle between women. It also represents a cruel U.S. Marine game in which ‘jarheads’ on leave pool funds to award whomever brought the ugliest date to a party.

The marines heading for leave, & the girls they want to meet

The marines heading for their ‘Frisco leave; & the girls they want to meet


Sheridan aces “SHREK, The musical” Reply

Review by Danny GaisinreviewerDJG
One of the challenges facing any professional critic is having to review the same presentation without repeating adjectives or worse – repeating an article. I was introduced to SHREK by a Mississauga community theatre ten months ago and adored the ludicrous story line about the recluse whose swamp is invaded by expelled fairytale characters and so must embark on a quest to obtain permanent property rights. Theatre Sheridan’s take is about as entertaining and professional as anything ‘Downtown’ could stage. The singing/acting is non-pareil; the costuming delightful; and the directing -immaculate. Even the off-color bits aren’t disturbing given our era of overly sensitive political correctness.

SHREK & his stage-mates revolving around his 'swamp'

SHREK & his stage-mates revolving around his ‘swamp’


“Come From Away”; Mirvish musical has come to stay 1

Review by Judith RobinsonreviewerJudith Robinson
Come From Away
, currently playing at the Royal Alexandra Theatre in Toronto, is a musical pulsing with resilience and hope. First produced at Oakville’s Sheridan College in 2013, the musical went on to sell-out crowds in Los Angeles, Seattle and Washington, D.C. In February, it will move to the Gerald Schoenfeld Theatre on Broadway. (Ed. note: -First critiqued here as a workshop, then studio performance, see our O.A.R. archive-‘2/15/13)
This Canadian success story chronicles the hosting of nearly 7,000 stranded airline passengers in Gander, Newfoundland during the 9/11 crisis.

The 'Come From Away' original workshop cast

The ‘Come From Away’ original workshop cast


“THE CIRCLE”; teens look for love, family & escape Reply

Review by Ellen S. JaffeReviewerEllen S.
What starts out as a typical – though especially fraught and edgy – high school garage party on a suburban Friday night ends in a starkly unexpected way, in Geoffrey Simon Brown’s play The Circle, at the Tarragon Extraspace.  The 26-year-old playwright, close in age to his characters, says the play is about growing up, about family, about friends, about violence and the points where people are stretched so far that they break, and “ultimately, beyond anything else, this is a play about love, about understanding, and hopefully, about forgiveness.”  He has produced a script that is both daring and beautifully-crafted.  Photo by Cylla von Tiedemann

Duval; Ehman; Endicott-Douglas & Ellis..part of "The Group"

Duval; Ehman; Endicott-Douglas & Ellis…part of “The Circle”


“CONSTELLATIONS” offering the variable alternatives Reply

Review by Ellen S. JaffeReviewerEllen S.
            Imagine if all the decisions you ever – and never – made, actually happened somewhere in a quantum multiverse – a place where many universes exist simultaneously.  This is the premise of Nick Payne’s drama Constellations, presented by Canadian Stage & Montreal’s Centaur Theatre Company at the Bluma Appel Theatre. The play has previous delighted audiences in London’s West End and on Broadway. Payne, a leading voice in UK theatre, began writing the play after his father’s death, when he happened to see physicist Brian Greene’s documentary The Elegant Universe (based on Greene’s own book by that name). Photo by Cylla von Tiedemann

constellations-2                                                           Ricketts & Cuthbertson performing. Cellist Jane Chan -stage left


“Murdered to Death”; you’ll die laughing Reply

Review by Danny GaisinreviewerDJG
“I am serious; and don’t call me Shirley”. Everyone remembers Leslie Nielson’s (Inspector Drebin) most famous tagline. If you can imagine 2½ hours of the same side-splitters, Peter Gordon’s Murdered to Death staged by Waterdown’s Village Theatre is a must-see. Under the direction of Graham Clements, the ten-person cast seem to having even more fun in doing their portrayals than the viewing audience’s enjoyment. Each character is a stereotype and the actors actually embellish their depictions. The whole thing start-to-finish is a hoot and totally entertaining.

The hosts, staff guests & cops involved with MURDERED to DEATH

The hosts, staff, guests & cops involved with MURDERED to DEATH