Review by Danny & Terry Gaisin Apr. 26th, ‘19
Autism Spectrum Disorder, ranges from savant to non-verbal and affects about 1% of the population; mostly males. During our years driving school buses; we were consistently given routes that shuttled ‘special needs’ students. We became familiar with both ends of the ambit. Given our familiarity with the syndromes, it always bothered us that such TV shows as ‘Bones’ or ‘Big Bang Theory’ displayed some symptoms for humor rather than understanding. Awareness might lead to understanding but both shows missed an opportunity.
Back in 2007, our friend Lynn Johnston’s cartoon series, ‘For better or For Worse’ described ‘Shannon’ who was autistic.
l-r …Cook, Scott, Esposito & Buzzelli
Review by Danny Gaisin Apr. 6th. ’19
A contemporary American couple; middle-aged and both career-oriented, have run into a snag. She’s over-worked and on-call 24/7 by her London boss; he’s a TV weatherman who procrastinates or just ignores doing his share of the household or stuff in the “Honey Do” jar. Sound familiar?
This old fart found the plot line way too close-to-home for comfort. I have excuses for NOT loading the dishwasher; claim poor eyesight for not seeing a need to dust or vacuum; and rely on dear Terry to make sure there’s always a full roll of T.P. in our bathrooms. I’m not lazy — just tired!
l-r Wouthuis; Miszturak; Nyman; Quirk; Toews & White of “Til Beth Us Do Part”.
Review by Danny Gaisin
Mar. 27, ‘19
About a hundred years ago, Robert Frost wrote a poem about stopping near a forest just after a snowstorm. The title of Mladen Oradović’s play about the Canadian government’s internment of Eastern Europeans during WW I takes a stanza from that poem as its title. Fitting, as the internees are utilized to clear away a forest for what will be a national park. They earned a quarter for a full day’s back-breaking labour. However, compared to the lack of jobs overseas, this was actually an incentive for young men to emigrate in hopes of gaining a nest egg. The war interfered.
An internment camp Christmas dinner
Review by Ellen S. Jaffe Mar. 20, ‘19
Isitwendam, written and performed by Meegwun Fairbrother is a powerful, emotional, and beautifully-crafted play , well worth seeing. The play, a Bound To Create Theatre (B2C) Production, is having its world premiere in Toronto, presented by native Earth Performing Arts at the Aki Studio. It was co-created and directed by Jack Grinhaus. Isitwendam means “an understanding,” and this one-act play shows how theatre, with its blend of physicality, emotion, language, and appeal to our senses, can give us a deeper, fuller understanding of, and empathy with, a complex situation. The play begins with a mysterious, graceful dance performed by Fairbrother, against a background of changing light and shadow – ending with a flashing light and a sense of terror. More…
Review by Terry Gaisin
Disclaimer: there IS bias here because playwright Judith Robinson is also a respected contributor to our ARTS REVIEW. So; as objectively as I can be – a critique of her political comedy in which a deceased Harry Truman (the haberdasher) advises President Jimmy Carter (the peanut farmer) on how to get reelected in the 1980 presidential campaign.
The format is concert-style with the characters seated while reading their dialogue from scripts. Incidental giggle; #39 is missing some pages until a ‘lines request’ is countered by an audience member running up with her version! The incumbent is recited by John Hewson while Walter Young is his ethereal campaign manager.
Dekar; Woodside; Sheehy; Young & Hewson interpreting U.S. politics
Review by Ellen S, Jaffee
“To be or not to be – friends?” That is the question confronting two contemporary children in Calgary, Alberta. Girl #1, Alanna, played by Elizabeth Ferguson-Breaker (Naaton Ainihki), a Blackfoot, and Girl #2, Maya, Lara Schmitz, who has English-French-Irish heritage. They meet on the first day of school; it is A’s first time in a city school, with few if any Indigenous students. They are about to shyly say hello when the Trickster, a traditional Blackfoot character, strides down through the audience and leaps on stage to interrupt them. “NO, you can’t be friends.” Why not? “Because of the story.” *
Scene from We Are All Treaty People