In this riveting play from Daniel MacIvor, one of Canada’s most respected playwrights, three women – a mother, a daughter and a therapist – are on the brink of change. We see Leda in her therapist’s office, desperately alternating between wringing her hands, crushing her handbag and crossing and uncrossing her legs. Clearly something is on her mind.
Review by Terry Gaisin
The Theatre Arts Faculty of Sheridan College has always incorporated the concept of creativity as part of its curriculum. Actors are not automatons; they must integrate something of themselves into every portrayal. This is certainly a manifestation of creativity. “CENTRAL PARK TANGO” and “COME FROM AWAY” are two innovative original works that are being staged until April 24that the College’s Trafalgar campus. More…
Review by Danny Gaisin
Admission: – my favorite revenge tales are Dumas’ “Monte Cristo”; Boorman’s ’67 flic “Point Blank”, & Shakespeare’s “Titus Andronicus”. Sondheim’s SWEENEY TODD with its repetitious lyrics and melodies seems uninspired by comparison. Last night, I witnessed a preview of young director Adam Brazier’s take and my opinion did a180◦.
Review by Sharon Letovsky
Returning to the stage for the final act of her Wit’s End trilogy; Sandra Shamas, the Sudbury, Ontario-born author of the famed 1980’s smash hit, My Boyfriend’s Back and There’s Gonna be Laundry, does it again. How this woman, alone, devoid of props save a chair, a small table, glass of water and a fan, kept us in stitches for two solid hours is beyond the scope of my comprehension.
The Martin/McKellar book, DROWSY CHAPERONE, musicalized by Lambert and Morrison for the Toronto Fringe is a Cinderella Story; i.e. from humble beginnings to the pinnacle. Mississauga’s CITY CENTRE MUSIC PRODUCTIONS adds another aspect to this decidedly popular bit of fluff…meticulous direction.
In keeping with the children’s fables motif – CCMP & Michael MacLennan put on a ‘Goldilocks’ effort…it’s “not too anything…it’s Just Right!”
Review by Danny Gaisin
Shakespeare’s delightful comedy about dress-up & misrepresentation has had many imitations… “Yentl”; and the recent T.V. movie of an athletic girl attending a school as her own brother in order to compete, come immediately to mind. Great plot and interesting hypothesis
The challenge with staging old Willie’s original is his eloquence. The lines require emoting; not recitation. Phrasing, appreciating the concept of meter (iambic or otherwise), and projection are requisite and unfortunately- McMaster’s Thespian Company earns an overall failing grade.. More…