“The Madness of George III”; SHAW’s kindly take. Reply

Review by Danny Gaisin 

George Fredrick Hanover, King George 3rd, ruled Great Britain for the 60 years between 1760 & 1820, a 6-decade run.  That certainly outlived the Alan Bennett 20-year film depicting him before going into reruns. Poor George III & his military minions won the 7-Years War but lost the American colonies, so a 500% ERA statistically isn’t too bad.  SHAW’s director Kevin Bennett has staged a rather sympathetic interpretation of the movie by emphasizing the horrific medical practices of the time plus the political shenanigans within his court. His son & heir, the Whig/Tory battles; and the struggle for influence are all highly focused.    Photo by David Cooper

Tom McCamus & Chick Reid; aka HRH’s George III & Charlotte

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“SUPERMARKET”; play deserves in-depth analysis Reply

co-review by Sylvie Di Leonardo and Michael Piscitelli
Artscape Youngsplace, frequently a haven for multi-media mavens, is transformed into SUPERMARKET for the final-year studio artists from the University of Scarborough.
“If you think about the nature of a supermarket, it’s a place with an eclectic variety of items placed together, especially now that its all one-stop shopping,” says fourth-year contributor Kristina Zaja. “Then if you think about conceptual art and doing conceptual art at the senior level in a university, we’re all working on our own concepts…and since we’re all creating within the same social/cultural time; but are quite different because of where our inspirations take us, in a sense this is like a supermarket of an art exhibition.”
Creative student playbill for “SUPERMARKET” More…

Cello extravaganza by “5 @ 1st.” + + Reply

Review by Judith Caldwell
                Five @ the First again held their annual fundraising Cello Extravaganza in aid of Blooms for Africa and the Ann Vallentyne Scholarship for string players. This year 26 cellists performed in solos, duets, sextets and as a combined cello choir. The Extravaganza is in its fourth year and the choice of music and arrangements seems to get better each year. This year there was one piece written especially for the duo who performed it and several pieces arranged specifically for groups of cellos, including a quiet, thoughtful and rather romantic Requiem written as a cello sextet by David Popper.                      The cellists …

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“BLOOD WEDDINGS”; Hatfield/McCoys or Romeo/Juliet Reply

Review by Ellen S. Jaffe
            It is great to have the presentation of a modern classic in a bold new version.  Federico Garcia Lorca, Spanish poet and playwright, had an “abiding insistence on the interdependence of love and death,” according to one critic.  This is clear in the current production of Blood Weddings/Bodas de Sangre , at Buddies in Bad Times. The show is a remounting of the 2015 collaboration between Modern Times Stage Company, led by Iranian-Canadian director Soheil Parsa (director choreographer of this play) and Aluna Theatre, a Latin-Canadian theatre company whose Artistic Director is Beatriz Pizano.

Kwan; Pizano; Lauzon; Yaraghi & Bush in BLOOD WEDDINGS

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A ‘Convenient’ guide to Korean culture Reply

Review by Judith RobinsonreviewerJudith Robinson
Ins Choi’s Kim’s Convenience is a stunning masterpiece – a speeding train that never stops until Soulpepper’s production of this one act, full length comedy concludes ninety minutes later. The conductor, who keeps the train moving, is Paul Sun-Hyung Lee, who has played the role of convenience store owner, Appa, in every production since the play’s origins at the fringe festival, in Toronto, in 2011. He has now given over 400 performances in 10 Canadian cities – and starred in the successful spin off last fall, on CBC TV. The show has already been renewed for next season. Photo courtesy of Cylla von Tiedemann

Choi; Lee; Yoon; Kung & Sills, of KIM'S CONVENIENCE

     Choi; Lee; Yoon; Kung & Sills, of KIM’S CONVENIENCE

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TSO concert; not your usual holiday Tchaikovsky Reply

Review by Sylvie Di Leonardo ReviewerSylvie2                    

While many musicians may find themselves rehearsing The Nutcracker this season, the Toronto Symphony Orchestra found themselves performing other works by Tchaikovsky earlier this week at Roy Thompson Hall. While only one of the pieces performed was intended to debut in the theatre, this evening’s program was as drama-filled as the Russian composer’s life.
There exists no formal record of the chronology of the piece, the Overture for Hamlet conjures images of love and loss. One cannot help but recall the sweet melancholy of Ophelia when listening to oboist Keith Atkinson.

The T.S.O. members in a formal photograph
t-s-o-supplied-official-shot

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