I’m not really a Suzuki person, not a Norton or even a Harley-Davidson rider…my ‘cycle is a HONDA 750. Oops, wrong category, last evening’s concert at the Oakville Centre was about the renowned ‘SUZUKI METHOD’ of musical education; and a celebration of its 40 years here & the 80thbirthday of the woman responsible for establishing it in this community.
The fourth concert in the Brott Music Festival was played at St. Christopher’s in Burlington on Saturday evening with a continued emphasis on the works of Johannes Brahms. This evening we heard two of the happier works, both in D major, Symphony No. 2 and the very popular Violin Concerto.
The evening opened with the National Academy Orchestra playing Symphony No. 2, a work in four movements which was conducted tag team by Maestro Brott for the first two movements and Apprentice Conductor- Brendan Haganfor the final two movements
Last evening, the National Academy Orchestra presented another concert in the Brott Summer Music Festival at St. Christopher`s Anglican Church in Burlington. This concert opened with Beethoven`s Egmont Overture conducted by trainee conductor Brendan Hagan. The overture tells the story of the struggle for freedom of the Netherlands from the occupation of Spain in the sixteenth century. This is a typical motif for Beethoven and one that allows his flair for a dramatic opening; reminiscent of his Fifth Symphony.
Review by Tony Kilgannon
The 2nd concert of the BROTT SUMMER FESTIVAL – A Double of Brahms was a thoroughly satisfying evening of great music beautifully played, and listened to under conditions that I think were absolutely ideal. The evening began with the Fidelio Overture, a piece which is unmistakeably Beethoven. The concert programme announced it as his “middle period symphonic style” (that alone would get the rapt attention of this huge fan of the Fifth Symphony!). It was conducted by Brendan Hagan, Maestro Brott’s apprentice, and was a delight, allowing the mind to focus, the ears to tune, and something inside the listener to open up and receive the music. Like so many of life’s pleasure’s Fidelio seems too short!
Maestro Brott stepped back onto the conductor’s podium for Brahms’ Symphony No.3 in F major. Before lifting his baton to the orchestra, informed us, along with other things, that Brahms is interpreted in more than one way, depending partly on the size of the orchestra.
Review by Danny Gaisin
Hamilton has a comedy Festival!!! Discovered this arcane piece of intel as a result of an invitation from EGG ZEPPELIN; Kris Siddiqi & Marcel St.Pierre’s theme-based improvisational skits. The Saturday evening crowd at THE STAIRCASE were rather young and certainly antsy…before; during, and after the performance. Annoying?? –more than somewhat and never a bouncer around when you need one.
The duo’s show opened with a longish pantomime. Any director worth his or her credentials will tell you that the ‘ouvre’ should be upbeat & progressive. Reversing the order, thus having Siddiqi do his reverse Pakistani humor might have kept the kiddies attention and their butts seated. More…
Review by Judith Caldwell
A sold-out audience on Friday night was treated to an extraordinary concert at the First Unitarian Church, and presented by the Caskey School of Music. Francois & Katherine Verschaeve generously sponsored Valerie Tryon and Alexei Gulenco in a program of three pieces for two pianos. Tryon was a British prodigy who gave her first full concert at age 14. Later she studied inFrance before coming toCanada in 1971. She was Artist-in-Residence and an Associate Professor at McMaster University until ‘retiring’ to her current concert schedule. Gulenco began his piano studies in Moldova, then the Netherlands and the USA. He came toHamilton in 2008 where he is on the faculty atMcMasterUniversity andWilfredLaurierUniversity. Both of these artists have won numerous prestigious awards.