Review by Judith Robinson
The Stratford Festival’s production of Shakespeare in Love presents a William Shakespeare who is rollicking, funny and playful. For those who find the playwright boring, stuffy and out of date, this is the play for you. This Shakespeare is not the stuffy genius taught in schools, who spoke in perfect rhyming couplets, adored by queen and country.
Tom Stoppard’s Shakespeare, as seen in the 1998 movie, and Lee Hall’s adaptation of Stoppard’s screenplay seen here, is funny, down to earth and human. He’s often lost for words and writes bad material. He betrays his friends. He cheats on his wife. He’s lazy and doesn’t seem very bright. Photo by David Hou
Cast members of “SHAKESPEARE in LOVE”
Review by Karen Derry
Sunday night I had the pleasure of attending yet another great performance on the grounds of the Fieldcote Museum in Ancaster, a seven-acre property just outside of Hamilton. The quaint band shell, with its amazing backdrop of 100 foot pines, is named after Jim Green; a beloved local historian who also helped build it.
About six hundred people attended on this beautiful July night; many longtime fans of George Fox whose career has spanned decades and tours to many countries. including with artists like Randy Travis, Dolly Parton, George Strait and Willie Nelson, playing to sold out North American crowds.
George Fox in a rehearsing moment
Review by Judith Robinson
The characters and situations in Thornton Wilder’s classic play, Our Town, are a true to life depiction of a tightly-woven North American community, at the beginning of the twentieth century. The Shaw Festival’s production of the 1930’s drama is authentic, heart-wrenching and honest. The play was written to be delivered as an ensemble piece whereby the cast functions like a choir—singing a song in which everyone plays an essential role. Individual characters seldom stand out… Wilder is celebrating life itself – the trajectory of individuals is of secondary importance. Director, Molly Smith, does a fine job of conducting the choir in the manner the playwright intended. Photo courtesy of David Cooper
Wright; McGregor & Flett; residents of “OUR TOWN”
By Judith Robinson
The Adventures of The Black Girl in Her Search for God – Lisa Codrington’s adaptation of George Bernard Shaw’s 1932 short story – is an over-the-top satire on western civilization’s attempts to convert Africans to the Judeo-Christian model. And the Shaw Festival’s lunch hour production is zany, outrageous and through provoking. Director, Ravi Jain, kept the energy high. Characters moved in and off the stage, through trap doors, across the balcony and through the audience. The tone and pitch was intense and the actions at times frenetic. The third wall was frequently smashed. Photo by David Cooper
the cast of ‘BLACK GIRL…”
By Ellen S. Jaffe
TOLLER (Toller-on-the-run Productions), written and directed by Sky Gilbert, is about figure-skater Toller Cranston as he muses on his life and times. The piece was inspired by Cranston’s 1997 memoir Zero Tollerance: An Intimate Memoir by The Man That Revolutionized Figure Skating. Gilbert premiered the play at the Artword Artbar in November 2015 and remounted it for the Toronto Fringe. David Benjamin Tomlinson re-creates his brilliant portrayal of Toller, talking about isolation, identity, sexuality, art and beauty, in language that conveys both sparkle and shadow. More…
Review by Danny Gaisin
Episode 2 in the Figaro Saga. When we left off; Figaro- the factotum cum barber had finessed Rosina away from her patron Dr. Bartolo and arranged for her to be with her Count Almaviva (aka) Lindoro.
Mozart takes up the story a half-decade later. Almaviva has turned into a horny married old man; hired a maid for his countess (Rosina) and employed Figaro as his butler. Figaro wants to marry maid Susanna; Almaviva wants to deflower her before the wedding.
Cue the overture!
l-r Bartolo; Basilio; Marcellina; Almaviva; Figaro; Susanna & Rosina