Cinema Serenade”; Perlman & the TSO 1

Review by Sylvie Di LeonardoReviewerSylvie2               

As I buttoned my coat and struggled to get into my boots, my little brother asked me why I was headed to hear Cinema Serenade with Itzhak Perlman and the TSO this evening at Roy Thompson Hall. “Are they playing along with the movies?” No.  “Is it a shadow cast?” No. “Why would you want to go hear the songs, then?” He had a point. Why spend my day off on the highway at rush hour? “It’s like watching reruns,” he says. I consider this, and again—he had a point. But, I like watching reruns.   Photo by Jag Gundu – T.S.O.

Perlman, Oundjian & the T.S.O.

Perlman, Oundjian & the T.S.O.

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“THE CIRCLE”; teens look for love, family & escape Reply

Review by Ellen S. JaffeReviewerEllen S.
What starts out as a typical – though especially fraught and edgy – high school garage party on a suburban Friday night ends in a starkly unexpected way, in Geoffrey Simon Brown’s play The Circle, at the Tarragon Extraspace.  The 26-year-old playwright, close in age to his characters, says the play is about growing up, about family, about friends, about violence and the points where people are stretched so far that they break, and “ultimately, beyond anything else, this is a play about love, about understanding, and hopefully, about forgiveness.”  He has produced a script that is both daring and beautifully-crafted.  Photo by Cylla von Tiedemann

Duval; Ehman; Endicott-Douglas & Ellis..part of "The Group"

Duval; Ehman; Endicott-Douglas & Ellis…part of “The Circle”

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“CONSTELLATIONS” offering the variable alternatives Reply

Review by Ellen S. JaffeReviewerEllen S.
            Imagine if all the decisions you ever – and never – made, actually happened somewhere in a quantum multiverse – a place where many universes exist simultaneously.  This is the premise of Nick Payne’s drama Constellations, presented by Canadian Stage & Montreal’s Centaur Theatre Company at the Bluma Appel Theatre. The play has previous delighted audiences in London’s West End and on Broadway. Payne, a leading voice in UK theatre, began writing the play after his father’s death, when he happened to see physicist Brian Greene’s documentary The Elegant Universe (based on Greene’s own book by that name). Photo by Cylla von Tiedemann

constellations-2                                                           Ricketts & Cuthbertson performing. Cellist Jane Chan -stage left

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Bach Elgar choir, a change-of-pace concert Reply

Review by Judith CaldwellreviewerJudith
Last evening, Hamilton’s Bach Elgar Choir deviated from their usual fare to offer a concert of Canadian folksongs. The Choir was led by Alexander Cann and accompanied by Krista Rhodes, piano and flautist Susan Edmonds. The first half was of older, more traditional songs – most over 200 years old – and began with a Huron Dance Song which sounded very familiar to us in Southern Ontario with its traditional drum beat and words with no meaning sung to reinforce the beat. Then on to a 1919 shipwreck song from Newfoundland which honoured the Captain for grounding the ship and thus avoiding loss of life.

the Bach-Elgar ensemble in performance

the Bach-Elgar ensemble in performance

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“All Shook Up”; like our P.M. – ‘Not quite ready!’ Reply

Review by Danny GaisinreviewerDGcolor
♫ Well bless my soul what’s wrong with me? My hands are shaking and my knees are weak. I can’t seem to stand on my own two feet Perhaps Elvis & Otis Blackwell were thinking about this writer’s deteriorating old body when they wrote these lyrics to “ALL SHOOK UP”. Clarkson Music Theatre and director Craig Marshall seem to have shortchanged the cast and chorus by about three rehearsals. The delayed cue pickups; missed lighting spots and especially the uncoordinated chorus numbers are not up to the usual CMT standard.

The arrival of 'cool' Chad on his bike

The arrival of ‘cool’ Chad on his bike

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“Murdered to Death”; you’ll die laughing Reply

Review by Danny GaisinreviewerDJG
“I am serious; and don’t call me Shirley”. Everyone remembers Leslie Nielson’s (Inspector Drebin) most famous tagline. If you can imagine 2½ hours of the same side-splitters, Peter Gordon’s Murdered to Death staged by Waterdown’s Village Theatre is a must-see. Under the direction of Graham Clements, the ten-person cast seem to having even more fun in doing their portrayals than the viewing audience’s enjoyment. Each character is a stereotype and the actors actually embellish their depictions. The whole thing start-to-finish is a hoot and totally entertaining.

The hosts, staff guests & cops involved with MURDERED to DEATH

The hosts, staff, guests & cops involved with MURDERED to DEATH

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