Review by Judith Caldwell Apr. 14, ’19
Hamilton should be very grateful to Rachel Mercer for frequently offering wonderful new music she has found or commissioned to local audiences. The most recent concert featured compositions by Canadian female composers from the 20th and 21st centuries and included three works especially commissioned by Mercer for the occasion. The afternoon began with a young artist, 8 year old Azlyn Spleit, playing Felix Borowski’s Adoration on the violin. She played entirely from memory and with great aplomb, obviously not a bit nervous, and completed the fairly long and difficult piece without a glitch and to appreciative applause. More…
Review by Danny Gaisin Apr. 6th. ’19
A contemporary American couple; middle-aged and both career-oriented, have run into a snag. She’s over-worked and on-call 24/7 by her London boss; he’s a TV weatherman who procrastinates or just ignores doing his share of the household or stuff in the “Honey Do” jar. Sound familiar?
This old fart found the plot line way too close-to-home for comfort. I have excuses for NOT loading the dishwasher; claim poor eyesight for not seeing a need to dust or vacuum; and rely on dear Terry to make sure there’s always a full roll of T.P. in our bathrooms. I’m not lazy — just tired!
l-r Wouthuis; Miszturak; Nyman; Quirk; Toews & White of “Til Beth Us Do Part”.
Review by Danny Gaisin
Mar. 27, ‘19
About a hundred years ago, Robert Frost wrote a poem about stopping near a forest just after a snowstorm. The title of Mladen Oradović’s play about the Canadian government’s internment of Eastern Europeans during WW I takes a stanza from that poem as its title. Fitting, as the internees are utilized to clear away a forest for what will be a national park. They earned a quarter for a full day’s back-breaking labour. However, compared to the lack of jobs overseas, this was actually an incentive for young men to emigrate in hopes of gaining a nest egg. The war interfered.
An internment camp Christmas dinner
Review by Danny Gaisin
Mar 24th, ‘19
J.S. Bach’s Brandenburg Concerti were composed during the second decade of the eighteenth century, but were only so-named in 1870. An intrinsic part of every dedicated collector of classical music’s library, these works are the epitome of the Baroque era. They also have such range as to stating a personal favorite. A lively topic for debate and discussion among aficionados.
To celebrate its thirty-fifth year anniversary, the Oakville Chamber Orchestra spared no effort or venue choice to present all six with guest soloists who were picked from orchestral principals with absolutely stunning resumés.
OCO & solists performing Branderrburg No. 1’s allegro movement
Review by Ellen S. Jaffe Mar. 20, ‘19
Isitwendam, written and performed by Meegwun Fairbrother is a powerful, emotional, and beautifully-crafted play , well worth seeing. The play, a Bound To Create Theatre (B2C) Production, is having its world premiere in Toronto, presented by native Earth Performing Arts at the Aki Studio. It was co-created and directed by Jack Grinhaus. Isitwendam means “an understanding,” and this one-act play shows how theatre, with its blend of physicality, emotion, language, and appeal to our senses, can give us a deeper, fuller understanding of, and empathy with, a complex situation. The play begins with a mysterious, graceful dance performed by Fairbrother, against a background of changing light and shadow – ending with a flashing light and a sense of terror. More…
Review by Danny Gaisin Mar. 17th, ’19
“My Very Easy Method, Just SUN”, this mnemonic is one of the ways of remembering the names and positions of the planets … the things in the night sky that don’t twinkle! Just over one hundred years ago, Gustav Holst composed a suite that reflected the astrological characteristics of the planets and the mythological gods they are named after. This work was the major opus undertaken by last night’s Hamilton Philharmonic Orchestra concert in the Great Hall.
The pre-intermission part of the program was devoted to Claude Debussy. Opening with his ‘Prelude to an Afternoon of a Faun’.
The HPO & McMaster Choir performing Debussy Nocturne